Daily Archives: July 3, 2014

Run Lola Run (1998)

Run Lola Run (“Lola rennt”)
Directed by Tom Twyker
Written by Tom Twyker
1998/Germany
X-Filme Creative Pool/Westdeutscher Rundfunk (WDR)/Arte
Repeat viewing/Netflix rental
#972 of 1001 Movies You Must See Before You Die
IMDb users say 7.8/10; I say 6/10

[box] Manni: What happened to you? Did you run here?[/box]

I really don’t  like this feature-length music video.

A gangster entrusted Manni (Moritz Bleibtreu) to courier 100,000 marks for him as a “test”. Manni accidentally leaves the bag with the cash on a train.  He will be killed if he cannot produce the money in 20 minutes.  He calls to his girlfriend Lola (Frankie Parent) for help and tells her that if she isn’t there in 20 minutes he is going to rob a supermarket. She races to his side.

The scenario of Lola’s run and efforts to get the money is repeated three times, each time with a slightly different beginning and very different results. The segments illustrate the earth-shaking concept of cause and effect.  The film plays out in animation, black-and-white (flashbacks), color video (actions taking place out of Lola’s direct knowledge) and color 35 mm (Lola’s viewpoint) at an absolutely frenetic pace.

I tried giving this movie another chance and it didn’t improve for me.  I find its “point” painfully obvious and simplistic and its components juvenile. I listened to the director’s commentary and one of the things he’s proudest of is that the soundtrack produced a hit single.  I’ve seen the montage made as a music video for the single and it works perfectly.

Trailer

 

D.O.A. (1950)

D.O.A.
Directed by Rudolph Maté
1950/USA
Written by Russell Rouse and Clarence Green
Cardinal Pictures
Repeat viewing/Amazon Prime Instant Video

 

[box] Dr. MacDonald: Of course, I’ll have to notify the police. This is a case for Homicide.

Frank Bigelow: Homicide?

Dr. MacDonald: I don’t think you fully understand, Bigelow. You’ve been murdered.[/box]

If they could only have left the girlfriend out of this movie …

The story takes place in flashback as accountant Frank Bigelow tells the police about his last three days.  He runs a business in Banning and decides to take week-long vacation in San Francisco without office manager and girlfriend Paula.  She personifies the needy, suffocating woman, calling him constantly and asking over and over for reassurance. But Frank forges on.  The first night there he hits a jazz club and has a few drinks.  The next morning he wakes up feeling rotten.

He visits a doctor who tells him he has been fatally poisoned with a “luminous toxin” and has at most a week or two to live.  Frank goes on a mission to find out who murdered him. His first lead is a man from Los Angeles named Phillips who was trying to reach him. He discovers that he notarized a bill of sale for Phillips several months previously. From here, Frank gets entangled with an iridium smuggling operation and thence with some very nasty thugs.  With Neville Brand as a psycho.

If I had been Frank and been saddled with Paula, poisoning may have seemed like a relief! But, 1950’s style, Frank’s ordeal only makes him appreciate the domesticity Paula offers.  I can’t help it, she wrecks every scene she is in for me.  All the parts with Frank running around solving the mystery are very suspenseful.  I like Edmund O’Brien as an ordinary guy whose immanent demise has made extraordinarily fearless.

Clip – inside the jive bar – cinematography by Ernest Lazlo

The Window (1949)

The Window
Directed by Ted Tetzlaff
Written by Mel Dinelli based on a story by Cornell Woolrich
1949/USA
RKO Radio Pictures
First viewing/Warner Archive DVD

[box] Police Officer: A good lickin’ never hurt anybody, boy. My old man used to give me enough of ’em when I was a kid. Hey, still in all, I never thought of callin’ the cops when he did.[/box]

This is a gritty urban version of “The Boy Who Cried Wolf”.

Ten-year-old Tommy (Bobby Driscoll) is an imaginative child whose tall tales are driving his father (Arthur Kennedy) and mother (Barbara Hale) to distraction.  One hot summer night while he is sleeping on the fire escape of the tenement building where they live, Tommy wakes to see the upstairs neighbors murdering a man.  He tries to tell his parents and the police but nobody will believe that those nice Kellersons (Paul Stewart and Ruth Roman) could be killers … except the Kellersons, of course.  When the terrified Tommy is left at home alone, he must use all his courage and cunning to evade them.

I didn’t find this film too visually striking but the premise certainly is intriguing.  It had me thinking of how tough it can be to be child and not believed or even taken seriously.  Paul Stewart (the butler in Citizen Kane) is an appropriately sinister murderer and the chase through the city streets and into a condemned building is harrowing.  I was surprised at the amount of threatened and actual violence to a child for a movie of this period.

The Window was nominated for an Oscar for Best Film Editing.

For clips from the film on TCM go here http://www.tcm.com/mediaroom/video/579260/Window-The-Movie-Clip-You-Never-Mean-Any-Harm.html  – cinematography by Robert de Grasse and William O. Steiner