Daily Archives: September 9, 2013

Winterset (1936)

Winterset
Directed by Alfred Santell
Written by Anthony Veiller based on the play by Maxwell Anderson
1936/USA
RKO Radio Pictures

First viewing

[box] When we’re young we have faith in what is seen, but when we’re old we know that what is seen is traced in air and built on water.  — Maxwell Anderson, Winterset[/box]

This film marked Burgess Meredith’s first credited screen appearance in a role he had played on Broadway.  It is not cinematically well-rendered but is worth seeing as a typical Depression-era social commentary and for the acting.

The story begins in a 1920 New York City tenament where radical Bartolomeo Romagna (John Carradine) and his family discover their car has been stolen, along with the revolutionary pamphlets and other materials in it.  The car is then involved in the killing of the paymaster of the company at which Romagna works.  Romagna is tried for the crime and sentenced to death based on this circumstantial evidence.  His final words to the judge are to the effect that he is to be pitied since he is killing an innocent man and will carry the burden for the rest of his life.

Segue to 1936.  A law school class examines the evidence and decides that Romagna was not shown to be guilty.  A key reason behind its finding is that a man by the name of Garth Esdras witnessed the crime but was never called to testify.  Romagna’s son, Mio (Burgess Merideth) reads the article and travels to New York hoping to track down Esdras.  Merideth has been obsessed by the execution of his father all his life.

It is here that the coincidences start to pile on inexorably.  Mio meets Garth’s sister, not knowing who she is, and it is love at first sight.  The judge at Romagna’s trial has become unhinged and is now investigating in the hope that he will be vindicated.  The mastermind behind the payroll robbery has been released from jail, is critically ill, and is out to mow down anybody who could possibly prove that he had anything to do with the crime.  They all wind up in the tenement apartment of Garth’s father.

Merideth is unbelievably young and good-looking in this.  All the actors are very accomplished.  The dialogue is too poetic to ever have been spoken by a living human but is powerful.    It’s an interesting period piece that kept me engaged throughout its 77 minute running time.

Winterset was nominated by the Academy for Best Score and Best Art Direction.  It won an award for Best Cinematography at the Venice Film Festival and director Santell was nominated at the Festival for the Mussolini Cup.

The Story of a Cheat (1936)

The Story of a Cheat (“Le roman d’un tricheur”)
Directed by Sacha Guitry
Written by Sacha Guitry
1936/France
Cinéas

First viewing
#103 of 1001 Movies You Must See Before You Die

[box] “You can pretend to be serious; but you can’t pretend to be witty.” — Sacha Guitry [/box]

I enjoyed the witty story without becoming immersed in it.

This film is an exercise more in style than in plot.  The story goes something like this.  The anonymous narrator sits in a Parisian café writing his memoirs.  He was born a peasant in a village.  As a boy he lived in an extended family of twelve people.  Because he stole money from the till of their store, he was forbidden to eat from a dish of wild mushrooms at dinner. Thus, he becomes the only one of his family not to die from eating the deadly batch.  An orphan, he is taken by his conniving aunt and uncle who cheat him of his inheritance.  One day, his aunt intentionally leaves a few francs on the table.  He resists the temptation to take them and the aunt surreptitiously leaves him an ad for employment as a doorman at a fancy hotel.  He takes the cue to run away. So begins a series of jobs ending as a croupier in Monte Carlo and a number of amorous adventures as a sometime gambling cheat and thief.

 

This movie is a lot of fun.  There is almost no dialogue other than the voice-over recounting the memoir.  The setting is highly theatrical in that the audience is distanced from the action, which feels artificial.  Everything is kept very light.  The credits are presented in the most original way I have yet seen!  This was the first film I have seen by Guitry.  I look forward to seeing others.  Recommended.

Trailer (no subtitles, unfortunately)