Daily Archives: July 24, 2013

Das Boot (1981)

Das Boot (“The Boat”)
Directed by Wolfgang Petersen
Screenplay by Wolfgang Petersen from a novel by Lothar B. Buchheim
1981/West Germany
Repeat viewing
#670 of 1001 Films You Must See Before You Die
IMDb users say 8.4/10; I say 9/10

[box] Captain: [looking at one of the LI’s pictures] Funny. I haven’t seen snow in years.[/box]

This movie had my heart pumping vigorously for 149 minutes and me wishing that I was watching the 209-minute director’s cut.

It is autumn 1941 and the war for control of the Atlantic is turning against the Germans. This is the story of the voyage of u-boat U-96 which set out from La-Rochelle, France.  It is seen through the eyes of a young military journalist who is along for the ride.  The crew of the U-96 endures boredom, celebrates strikes against the enemy, and struggles to survive hits on its boat.

I have seen this film at least twice before – once in the theater in what I assume was the theatrical cut and once on DVD in the director’s cut.  The version I rented this time was the theatrical cut.  The theatrical cut is gripping and well-acted and edited, with amazing special effects.  However, I really had the sense that the story suffered from the cuts.  There were several awkward gaps and the ending was extremely abrupt.  One minute they were surfacing after the Gibraltar episode and the next minute they were in La Rochelle.  I also think this is the kind of thing that is best seen fresh the first time.  I kept asking questions about little details when I should have been caught up in the action.

Don’t get me wrong.  I highly recommend this film to anyone looking for a well-made action adventure.  It is one of my very favorite war films.

 

German trailer (no subtitles but really not needed)

 

Favorite Films of 1935

I watched 51 films that were released in 1935.  A complete list can be found here: http://www.imdb.com/list/ZGW4DN5ryag/?publish=save.  I enjoyed lots and lots of them, but these were my very favorites:

1.  Top Hat (Mark Sandrich):  This is officially my favorite Astaire/Rogers film, at least until I am watching the next one.

Top Hat 2

2.  Ruggles of Red Gap (Leo McCarey):  This seldom mentioned treasure is one of the reasons I keep watching these old movies! It has a perfect cast, a wonderful script, and is expertly directed by Leo McCarey.

Ruggles of Red Gap 1

3.  The 39 Steps (Alfred Hitchcock):  I prefer The Lady Vanishes among Hitchcock’s British films, but this ranks just behind it. It remains a witty and stylish suspense thriller.

THE THIRTY NINE STEPS

4.  An Inn in Tokyo (Yasujiro Ozu):  This is Ozu’s last silent film and one of his best. It has been compared to The Bicycle Thieves in its focus on the effects of poverty on human dignity, but is much more wryly humorous than the Italian film.

Inn in Tokyo 1

5.  Mutiny on the Bounty (Frank Lloyd):  A highly enjoyable adventure with one of Charles Laughton’s very best performances.

Mutiny on the Bounty 1

6.  The Bride of Frankenstein (James Whale):  I have fun every time I come back to this classic.

bride of frankenstein

7.  Crime and Punishment (Josef von Sternberg):  I’m so glad I was able to find this unsung gem containing one of Peter Lorre’s most complete characterizations.

Crime and Punishment 1

8.  The Good Fairy (William Wyler):  Preston Sturges’ script and wonderful performances by Margaret Sullavan and Herbert Marshall make this romantic comedy special.

The Good Fairy 1935

9.  The Lives of a Bengal Lancer (Henry Hathaway):  This rollicking adventure celebrates friendship, honor and loyalty under fire in British India.

Lives of a Bengal Lancer

10.  The Wedding Night (King Vidor):  This is a refreshingly different romance with one of Gary Cooper’s best performances.

Wedding Night

 

Princess Tam-Tam (1935)

Princess Tam-Tam
Edmond T. Gréville
1935/France
Productions Arys

First viewing

 

[box] “. . . I improvised, crazed by the music. . . . Even my teeth and eyes burned with fever. Each time I leaped I seemed to touch the sky and when I regained earth it seemed to be mine alone.” — Josephine Baker [/box]

I enjoyed Josephine Baker’s performance in this otherwise lackluster movie.

Max is a celebrated novelist suffering from writer’s block who is being nagged at ceaselessly by his wife.  He and his partner decide to escape to Tunisia for inspiration and respite.  There they meet the beggar Alwina (Josephine Baker).  They take the “wild” free-spirited woman into their villa where they begin to “civilize” her.  Meanwhile, Max’s wife has begun a flirtation with a maharaja in Paris.  Max introduces to Alwina to Parisian society as Princess Tam-Tam to make his wife jealous.  But Alwina can’t resist the urge to dance whenever drums begin to beat …

Josephine Baker sings two songs beautifully and has a couple of dance numbers.  The last of these is as part of a relatively clunky Busby Berkeley-esque routine.  These musical interludes are the main reasons to watch.  The actors never catch fire and the story is pretty silly.

Clip – “Ahé!  la Conga”