The Scarlet Letter
Directed by Robert G. Vignola
1934/USA
Larry Darmour Productions
First Viewing
“It [the scarlet letter] had the effect of a spell, taking her out of the ordinary relations with humanity, and enclosing her in a sphere by herself.” ― Nathaniel Hawthorne, The Scarlet Letter
This poverty-row adaptation of the Nathaniel Hawthorne novel stars Colleen Moore as Hester Prynne, Hardie Albright as Rev. Arthur Dimmesdale, Henry B. Walthall as Roger Chillingworth, and Alan Hale as comic relief. In 17th century Massachusetts, a woman whose husband was thought to be lost at sea is forced to wear a scarlet “A” on her breast as punishment for adultery that resulted in the birth of a child. She refuses to reveal the father of the girl but her husband returns incognito, determined to hound both parties to the affair for the rest of his days.
It is hard to find anything good to say about this movie. The first strike against it is that the makers felt compelled to lighten the dark story of the novel with copious amounts of comic relief, mostly supplied by Alan Hale and William Kent as sort of a Mutt and Jeff team. Their bits are really jarring and not all that funny. All the beards look obviously fake. Then you get the principals posturing as if they were making a silent movie. Colleen Moore is the worst and also seems years too old for her part, though she would have only been 35 in 1934. This was the last film Moore ever made.
Colleen Moore was a silent film star. She is most famous for “flapper” roles such as in classic Flaming Youth (1923), in which she played Patricia Fentriss. By 1927 she was the top box-office draw in the US. She invested her motion picture earnings wisely and remained wealthy until her death in 1988 at age 88.
Excerpt – oh, those wacky Puritans!
This is one of the funniest Mickey Mouse cartoons of all time. I laughed out loud several times. Some full-length comedies don’t get that out of me. I love Donald Duck! This was the first Mickey Mouse cartoon in Technicolor.
