Tag Archives: Cukor

Holiday (1938)

Holiday
Directed by George Cukor
Written by Donald Ogden Stewart and Sidney Buchman from the play by Philip Barry
1938/USA
Columbia Pictures Corporation

Repeat viewing

 

[box]Linda Seton: For the love of Pete… it’s the witch and Dopey![/box]

The other Grant/Hepburn pairing for 1938 is another comedy, but in a more sophisticated vein.

Johnny Case (Cary Grant) is a fun-loving sort who has worked all his life.  His plan is to save enough money to take a long holiday from working to figure who he is and what he wants from life.  While on a skiing trip, he meets beautiful Julia Seton and they fall in love. When they return to New York, he discovers that Julia comes from one of the wealthiest families in the city.  Her father places a large stock in breeding, money, and decorum. Julia can wrap dad around her little finger but her sister Linda (Katharine Hepburn) is miserable in the stuffy atmosphere of their mansion and her brother Ned (Lew Ayres) has taken to drink as a way out.

Mr. Seton finally gives his approval to an alliance with the working class Case when he finds that he has been doing well at a financial firm.  Seton plans to announce the engagement at a huge fancy New Years Eve party.  At the same time, Linda is hosting a party for one in the “playroom” of the mansion.  Gradually, Johnny’s old friends Professor Nick Potter (Edward Everett Horton) and his wife Susan (Jean Dixon) join her, along with her brother Ned.  Things come to a head when Case discovers his deal at the firm has made a killing on the stock market and he can at last afford to take his holiday.

This is a really entertaining film.  All the acting is quite wonderful.  Both Grant and Horton excel in nuanced, serious parts.  The standout for me, however, is Ayres.  I always lament that we don’t see enough of him in major Hollywood movies.   The plot moves much too fast with respect to the shifting relationships but who expected reality in the movies? The dialogue sparkles.  Recommended.

Holiday was nominated for an Oscar for Best Art Direction.  That mansion is quite something.

Clip

Romeo and Juliet (1936)

Romeo and Juliet
Directed by George Cukor
Adapted by Talbot Jennings from the play by William Shakespeare
1936/USA
Metro-Goldwyn-Mayer

First viewing

 

[box] Juliet: Romeo. Romeo. Wherefore art thou Romeo?[/box]

This lavish production of the Shakespearian tragedy has a lot going for it but is marred by some inappropriate casting.  With Leslie Howard as Romeo, Norma Shearer as Juliet, C. Aubrey Smith as Capulet, Basil Rathbone as Tybalt, John Barrymore as Mercutio, Reginald Denny as Benvolio, Edna May Oliver as Juliet’s Nurse, and Andy Devine as Peter.

This film was MGM’s answer to Warner Bros. production of A Midsummer Night’s Dream the previous year.  It has the same sumptuous art direction with a look a little like a medieval tapestry.  The music is also wonderful and many of the performances, particularly by the British cast members, are quite good.

The problem lies with the age of the cast.  Leslie Howard was 43 when this was made and Norma Shearer was 34, far too old to be the adolescents of the story.  Howard takes this in stride, playing Romeo as a grown man.  However, I think Shearer suffers greatly. Apparently someone thought she could get away with playing a young girl.  Her performance is thus very mannered and simpering in the first part of the film.  After Juliet’s marriage to Romeo, Shearer suddenly begins playing her as a mature woman. Unfortunately, this means she pulls out all the stops overacting to an almost embarrassing extent.  John Barrymore, who was 57 and nearing the end of his creative life, doesn’t do himself any favors either.

On the night of the Los Angeles premiere, Shearer’s husband, MGM production head Irving Thalberg, died at age 37.

http://www.youtube.com/watch?v=5D6BxQwYQ4I

Trailer

 

Camille (1936)

Camille
Directed by George Cukor
1936/USA
Metro-Goldwyn-Mayer

First viewing
#99 of 1001 Films You Must See Before You Die

 

[box] Marguerite: When one may not have long to live, why shouldn’t one have fancies?[/box]

I wasn’t particularly looking forward to this but it won me over almost immediately.  I wonder whether Garbo was ever lovelier or more appealing than in MGM’s glossy adaptation of the La Traviata story.

Marguerite Gautier (Greta Garbo) is a carefree Parisian courtesan, trading on her beauty to live an extravagant lifestyle between bouts of consumption.  One night at the theater, dressmaker Prudence (Laura Hope Crewes – Aunt Pittipat in Gone with the Wind) introduces her to fabulously wealthy Baron de Varville (Alan Mowbray) who can keep her well supplied with gowns and jewels.  At the same time, Marguerite is coincidentally introduced to Armand (Robert Taylor), an adoring young lawyer.  Marguerite starts a liaison with the Baron but her path crosses that of Armand repeatedly.  Finally, Marguerite falls hopelessly in love with Armand and accompanies him for some idyllic weeks in the country.  She must decide between Armand’s long-term prospects and her own happiness when Armand’s father (Lionel Barrymore) comes to beg her to leave his son.  With Jessie Ralph as Marguerite’s faithful maid.

 I am often quite resistant to Garbo’s acting but she captivated me here.  The gorgeous gowns only accentuated her stunning beauty and her smile was all the acting chops she really needed.  This movie also benefitted by an outstanding supporting cast, lavish set decoration, and beautiful score.  I think if the leading man had been a tad bit more sympatico – not that Taylor was bad – this film would have been just about perfect for the type of film it is.  As it was, I had tears in my eyes at the end.  Quite an achievement for Cukor.

Clip – second meeting

David Copperfield (1935)

David Copperfield
Directed by George Cukor
1935/USA
Metro-Goldwyn-Mayer

Repeat viewing

 

[box] Mr. Micawber: Copperfield, you perceive before you, the shattered fragments of a temple once called Man. The blossom is blighted. The leaf is withered. The God of Day goes down upon the dreary scene. In short, I am forever floored.[/box]

An MGM adaptation of the Dickens novel, this film follows the life of David Copperfield from his posthumous birth to a childlike widow, to the cruel treatment by his stepfather, friendship with the Micawbers, eventual home with his aunt, and young adulthood.  This was one of those productions that allowed the studio to show off its vast resources of talent in the many character parts.  With Freddy Bartholomew as the young David, Edna May Oliver as Aunt Betsey Trotwood, Basil Rathbone as Murdstone, Jessie Ralph as Peggoty, Lionel Barrymore as Dan Peggoty, W.C. Fields as Micawber, Elsa Lanchester as Clickett, Roland Young as Uriah Heep, Margaret O’Sullivan as Dora and many, many more.

It is impossible to convey the story of the novel in a two hour movie and so the ending, in particular, seems rushed.  Freddie Bartholomew can be very touching at times and a little too much of a good thing at others.  That said, there are some wonderful performances here.  Basil Rathbone is absolutely chilling as Murdstone, quite different from his swashbuckling villains, and Edna May Oliver is hilarious as the intimidating but tender Aunt Betsey.  Finally, it’s a treat to see W.C. Fields as Micawber playing quite the devoted husband and father to his brood!  I enjoyed this.

Trailer