Night Must Fall (1937)

Night Must Fall
Directed by Richard Thorpe
Written by John Van Druten from a play by Emlyn Williams
1937/US
Metro-Goldwyn-Mayer
IMDb page
First viewing/Amazon Prime rental

Olivia Grayne: Well, here we all are perfectly ordinary English people. We woke up this morning thinking, hmmm, here’s another day. We got up, looked at the weather, talked… Here we all are still talking and… all the time…all the time there may be something lying in the woods, hidden under a bush… with two feet showing, perhaps a high heel catching the sunlight with a bird perched on the end of it, and the other, the other stockinged foot with blood that’s dried on the stocking… and somewhere, somewhere there’s a man walking about and talking just like us, and he got up in the morning, and he looked at the world… and he killed her.

This well-acted atmospheric thriller goes directly on to my Best New to Me Films of 2022 list.

Olivia Grayne (Rosalind Russell) is sexually repressed and penniless, but smart.  She lives with her wealthy aunt Mrs. Bramson (Dame May Whitty) who treats her the same way she does all her servants – badly.  One of the servants is engaged to Danny (Robert Montgomery), who works at the local inn.  She asks the old lady to speak to him in an effort to speed up the wedding day.

On the same day the quiet of the English countryside is disturbed by the discovery of a decapitated female murder victim on Mrs. Bramson’s property.

Danny arrives and promptly charms the socks off Mrs. Bramson with his Irish charm and good looks.  He becomes her companion and confidante.  Olivia can’t put her finger on it but knows there is something “off” about him.  She says he seems to be acting all the time.  On the other hand, his animal magnetism is drawing her in.  I’ll stop here except to say the suspense just builds and builds.

Robert Montgomery is a favorite of mine and this has got to be one of his finest performances.  Pre-code he always plays the charming young man who doesn’t get the girl but looks swell in a tuxedo.  This, on the other hand, is quite a nuanced performance requiring him to be charming, humble, and very creepy all at the same time.  Russell and Whitty are fantastic.  Highly recommended.

 

Three Comrades (1938)

Three Comrades
Directed by Frank Borzage
Written by F. Scott Fitzgerald and Edward E. Paramore Jr. from a novel by Erich Maria Remarque
1938/US
Metro-Goldwyn-Mayer
IMDb page
First viewing/Amazon Prime rental

Gottfried Lenz: I drink to those who think of home tonight. I drink to the peace they hope to find at home now that peace has come to them at war.

This is a sweet, if sad, look at the lives of three war buddies between Wars and the affection for the same woman that only draws them closer together.

Erich Lohkamp (Robert Taylor), Otto Koster (Franchot Tone), and Gottfried Lenz (Robert Young) served together in the German army during WWI.  They remain close after the war and open an auto repair shop together.  They struggle to survive amid the depression and chaos of Berlin during these years.  The men meet a vivacious woman named Patricia Hollman (Margaret Sullavan) and the four are now inseparable.  It is Erich that she marries. Unfortunately, Patricia has consumption which worsens and forces her to go to a sanitorium they can ill afford.

The stars are all quite charming and this is a very watchable film.

 

The Whole Town’s Talking (1935)

The Whole Town’s Talking
Directed by John Ford
Written by Jo Swerling and Robert Riskin from a story by W.R. Burnett
1935/US
Columbia Pictures
IMDb Page
First viewing/Amazon Prime rental

Arthur Ferguson Jones: My name isn’t Jones it’s Mannion. I mean it isn’t Jannion it’s Mones. Oh, I don’t know. It’s Jones! Jones, that’s what it is!

I can’t believe I waited to see one of Edward G. Robinson’s very best performances for so long.  And the rest of the movie is wonderful as well.

Robinson plays Arthur Ferguson Jones, a meek, humble clerk at an accounting firm. In his off time, he writes love poetry to his secret crush, sassy co-worker Wilhelmina Clark (Jean Arthur). He has not been late to work once in the entire eight years he has worked for the firm.

One fateful morning his alarm clock fails him. Thus begins a very bad day. Public Enemy No. 1 “Killer” Mannion (also Robinson) escapes from jail after taking the lives of a couple of guards. A man hunt is launched and since Jones so closely resembles the killer, he is picked up and grilled to within an inch of his life despite his protests. Wilhelmina, whom he was lunching with at the time of his capture, is also grilled. When it is finally established that Jones’s fingerprints do not match Mannion’s, the cops give him a letter he can show to avoid being picked up again. When the Killer finds out, he figures that Jones’s pass can come in handy. He also starts hiding out in Jones’s apartment and otherwise terrorizing him.

Edward G. Robinson is so wonderful in this film. He gives each character a special flair and even plays Jones pretending to be Mannion at one point. His Mannion is meaner than even his Little Caesar (1931) and his Jones more humble than his character in Scarlet Street (1945). The script is sharp. And while this is not Ford at his auteur best, the story is beautifully told. Some of the scenes in which Robinson converses with himself are unbelievably seamless. It’s not as serious as I make it sound. Sort of a combo between a romcom and a gangster movie, with several inside pokes at each genre. Warmly recommended.

Fan Trailer

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This review catches me up with the movies I have watched.  I intend to mix in some movies I have not seen from later years in the 30’s with my pre-Code viewing until I start up where I left off in 1978 in a month or so.

Vampyr (1932)

Vampyr
Directed by Carl Theodor Dreyer
Written by Christen Jul and Carl Theodor Dreyer from a book by Sheridan Le Fanu
1932/Germany/France
Tobis Filmkunst
IMDb page
Repeat viewing/Criterion Collection
One of 1001 Movies You Must See Before You Die

Title Card: This is the tale of the strange adventures of the young Allan Gray, who immersed himself in the study of devil worship and vampires. Preoccupied with superstitions of centuries past, he became a dreamer for whom the line between the real and the supernatural became blurred. His aimless wanderings led him late one evening to a secluded inn by the river in a village called Courtempierre.

Probably Dreyer’s most inexplicable movie but one of his most beautiful.


A susceptible young man runs into vampires at a country inn. It is not all that easy to identify the vampire or the other elements of a conventional story even after multiple viewings. It is more in the nature of the protagonist’s dream. The images are the thing here. Dreyer and his cinematographer Rudolph Maté have created a film full of some of the most exquisite, spare, and evocative black and white photography ever. It is as if Dreyer thought up every symbol of death there is, made it beautiful, and put it on screen to gently creep us out. Recommended.

 

Cynara (1932)

Cynara
Directed by King Vidor
Written by Frances Marion and Lynn Starling from a novel by R. Gore Brown
1932/US
The Samuel Goldwyn Company
IMDb page
First viewing/Amazon Prime rental

Jim Warlock: That’s all I have left now – that I don’t have to lie about it.

It’s hard to go wrong with King Vidor, Ronald Colman and Kay Francis.  I loved this excellent romantic drama.

The setting is London. Virtually the entire movie is told in flashback as Jim Warlock (Colman) tries to explain to his wife Clemency (Francis) how he went from being a faithful, happily married man to having to exile himself to South Africa.  In happier times, Colman was a successful barrister with a  bright future. He and Clemency (Francis) have had seven years of marital bliss. Jim is a stay-at-home kind of guy and considered to be somewhat boring. Clemency has to go on a month-long trip to Venice with her flighty sister to distract her from a bad romance.  She encourages Jim to have some fun in her absence.


The minute Clemency has left the scene, Jim’s playboy friend John Tring (Henry Stephenson) encourages Jim to have a bit of extramarital fun . The two meet a couple of shopgirls in a restaurant and Ronald is clearly attracted to much younger brunette Doris Emily Lea (Phyllis Barry). He continues to resist and then John enters Doris in a bathing beauty contest Jim has to judge. Doris will stop at nothing to win her man. She tells him she has had other lovers and that she will say goodbye without a wimper when Clemency comes back. So Ronald and she begin a love affair. When Kay returns, though, Phyllis is too in love to give Ronald up, leaving him in a terrible dilemma. I will stop here. The movie ends with a courtroom drama and then segues into the present as Jim prepares to board his ship.

I really liked this one. All the principals are excellent and the story seems like something that could actually have happened.  If you are looking for a sophisticated adult romance, I warmly recommend this.

https://www.youtube.com/watch?v=85mQhvilfAEe

No trailer or clip so here’s a tribute to the director

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I also rewatched Marie Dressler’s charming performance as “Emma” (1932).  My review can be found here.

 

Svengali (1931)

Svengali
Directed by Archie Mayo
Written by J. Grubb Alexander from a novel by George L. Du Maurier
1931/US
Warner Bros.
IMDb page
Repeat viewing/Amazon Prime (free to Members)

Svengali: [to Trilby] There is nothing in your mind… nothing in your heart… nothing in your soul… but Svengali… Svengali… Svengali… !

I have several quibbles with this movie but loved my introduction to Marian Marsh.

The setting is Paris, France.  Greasy, creepy singing teacher Svengali (John Barrymore) uses his hypnotic powers to seduce his students and for other evil purposes.  He lives in a dumpy apartment and is famous for his lack of bathing.

One day, he meets beautiful artist’s model Trilby (Marsh).  He overhears her singing badly but remarks that the shape of her throat make her an ideal singer.  Trilby is sweet and is in love with Englishman Billee (Bramwell Fletcher).  Svengali tells him he can take away her frequent headaches with hypnosis and she allows him to try.

Eventually he hypnotizes her into being a celebrated concert soprano and into marrying him.  But can he hypnotize her heart?

Marian Marsh is adorable as the gamin-like Trilby. The film goes for a German Expressionist look but cheap production values do not help. I don’t think I’ve ever seen so many obviously fake beards in one movie. The title role may be Barrymore’s hammiest performance ever – he looks and acts like a combo of Fagin and Rasputin and he can’t seem to decide whether his accent should be Swedish, Yiddish, or German.  Worth seeing  for Marsh.

The Mayor of Hell (1933)

The Mayor of Hell
Directed by Archie Mayo and Michael Curtiz
Written by Edward Chodorov, story by Islin Auster
1933/US
Warner Bros.
IMDb page
Repeat viewing/Amazon Prime rental

Lawyer: Tell us what you know, I said! Never mind what you think!
Mr. Hemingway: Excuse me, boss. I ain’t no lawyer. I can’t talk without thinkin’.

 

I loved all three James Cagney movies I watched for 1933 and this one was my favorite.

Cagney plays a ward heeler and gang leader who gets paid off for gathering votes with an appointment as Deputy Commissioner responsible for juvenile detention centers. This is not to take up too much of his time and attention.  But when he arrives to see the reform school, he develops sympathy for the juvenile delinquents suffering therein from hunger and forced labor.

He falls for idealistic nurse Madge Evans who has a plan for reforming this hellhole. This involves improving conditions and creating a kind of Boy’s Town where the inmates form their own government and enforce the rules there own way.  This works out splendidly but only while Cagney is actually present.

Cagney is great as is Frankie Darro, who plays the boys’ gang leader and title character. Dudley Diggs is excellent as the corrupt, evil, sniveling warden of the reformatory. Despite a quite incredible ending the whole thing works beautifully. Recommended.

https://www.youtube.com/watch?v=4skVEOZrIL4

 

Kept Husbands (1931)

Kept Husbands
Directed by Lloyd Bacon
Written by Louis Serecky, Forrest Halsy and Alfred Jackson
1931/US
RKO Radio Pictures
IMDb page
First viewing/Amazon Prime (free to members)

Dorothea ‘Dot’ Parker Brunton: The minute I saw him, I didn’t give two hoots if he gargled his soup in the key of A Minor. That boy was made for me, and what’s more, I’m going to have him.

It is a given.  I will at least like a film if my heartthrob Joel McCrea appears in it.

Richard Brunton (McCrea) is a hard-working “steel boss” of humble origins who is studying nights to improve himself. One day he heroically rescues a fellow worker. When he refuses his boss’s $1000 reward, the tycoon invites him home for dinner.  Now McCrea was also a football hero and is a mighty attractive man. The boss’s daughter Dorothea (Dorothy MacKaill) wants him for Christmas.

Dorothea pursues Richard, he falls in love, and cannot find it in him to refuse her proposal. After the marriage, she expects him to enjoy her expensive and frivolous lifestyle and be at her beck and call. This gradually destroys Joel’s self-respect until he has had enough. Ned Sparks appears as McCrea’s mother’s boarder, always ready with a dark wisecrack.


There is nothing sexy or light-hearted about this movie. On the other hand, the acting is quite good. Unfortunately, McCrea never takes his shirt off. I liked it well enough.

https://www.youtube.com/watch?v=dHjdYRaiA2w

 

 

Is My Face Red? (1932)

Is My Face Red?
Directed by William A. Seiter
Written by Casey Robinson and Ban Markson from a play by Markson and Allen Rivkin
1932/US
RKO Radio Pictures
IMDb page
First viewing/Amazon Prime rental

Morning Gazette Telephone Operator: And get the lead out of my WHAT?… oh, Mister Poster!

OK newspaper movie with a smackable performance by Ricardo Cortez as an unscrupulous gossip columnist.

William Poster (Cortez) plays a cocksure and obnoxious Walter Winchell-style gossip columnist who relishes digging up the most embarrassing dirt on famous names. He is also quite a playboy. For some reason, chorus girl Peggy Bannon (Helen Twelvetrees) has remained engaged to him for five years and is a source of a lot of juicy tips for his column. Eventually, Cortez takes a huge risk spilling the beans on Sidney Toler, an Italian restaurant owning mafioso. He also steps out on Peggy with heiress Mildred Huntington (Jill Esmond).

My favorite parts were the scenes with Zasu Pitts as the paper’s switchboard operator. Ricardo grins a lot but his character is really unlikeable. I like him as a romantic lead, but a comedian he is not. Twelvetrees has not let me down yet.

 

Me and My Gal (1932)

Me and My Gal
Directed by Raoul Walsh
Written by Arthur Korber
1932/US
Fox Film Corporation
One of 1001 Movies You Must See Before You Die
Repeat viewing/Amazon Prime rental

Pop Riley: Another bank robbery yesterday.
Danny Dolan: Oh? Who’d the bank rob now?
Pop Riley: Nobody, someone robbed the bank.
Danny Dolan: Ah, turned the tables on ’em, eh? Smart!

I liked this better on a second viewing but I still don’t understand why I needed to see it before I die.

A rookie Irish-American policeman (Spencer Tracy) falls for a wisecracking lunch counter waitress (Joan Bennett) while solving crime on the waterfront.

There is nothing wrong with this movie that elimination of the looong unfunny “comedy” drunk schtick by Will Stanton could not fix. Fortunately, he only mars the first half of the movie. On the other hand, the two leads acquit themselves admirably and Joan Bennett makes a beautiful blonde.

https://www.youtube.com/watch?v=APZkxvu96w0