Category Archives: Lockdown Edition

Matinee (1993)

Matinee
Directed by Joe Dante
Written by Charles S. Haas
1993/US
IMDb page
First viewing/Amazon Prime Rental

 

Dr. Flankon: Young lady, human/insect mutation is far from an exact science…

I enjoyed Joe Dante’s love letter to 50’s and 60’s creature features and the era that spawned them.

John Goodman plays Lawrence Woolsey, a producer/promoter of creature features.  The character is clearly based on William Castle, producer/director of such classics as The Tingler (1959), and notorious lover of frightening in-theater gimmicks.  Woolsey becomes friendly with teenager Gene Lewis and shows him some of the inner workings of his business.  Woolsey has hired a group to protest his picture, only adding to the anticipation of all the young people in town to see its opening matinee.  Woolsey has some spectacular gimmicks planned that Castle could only have dreamed of.

The movie involves a man who is fused with an ant during an X-ray.  It is called Mant, which might be the funniest and most appropriate title for one of these things ever.

Store Clerk: There’s no more Shredded Wheat in back. There’s no more Shredded Wheat in the entire Keys, and one of you will have to go to the Atomic Destruction with no damn Shredded Wheat!

In the meantime, the town and the world is watching as Kennedy and Kruschev engage in that exercise in brinksmanship known as the Cuban Missile Crisis.  Gene’s father is on one of the naval ships blockading Cuba.

Gene forms a relationship with the class liberal, whom he meets during an atomic bomb drill.  Gene’s friend hooks up with a very cute girl, who just happens to be the ex of the crazed teen hired by Woolsey to appear in a “Mant” costume and terrify the audience.  With Cathy Moriarty as Woolsey’s starlet girlfriend.  Naomi Watts made her screen debut in a tiny part.

Joe Dante has a deep love of these films and it shows in every minute of this movie.  It is a light, fun entertainment.  Perfect for fans of the great old sci-fi and horror flicks and those that are nostalgic for the period.

An Update

Just learned that my nephew (30) is now both Covid-19 and pneumonia-free and ready to be discharged from the hospital.  They treated him with convalescent plasma and remdesivir.  His mother (65) has been home for a week.  She is still very tired and weak but seems to be on the mend.  The one thing they have in common, other than their genes obviously, is obesity.  I am so grateful!  Stay safe folks.  Time to review Social Distancing 101 and get in better shape?  Think about it.

Original Cast Album: Company (1970)

Original Cast Album: Company
Directed by D. A. Pennebacker
1970/USA
IMDb page
Repeat viewing; Criterion Channel

 

Another chance to disapprove
Another brilliant zinger
Another reason not to move
Another vodka stinger
Aaaaaaaaaaaaaaaaaaaaaaahhhhhh!
I’ll drink to that — “The Ladies Who Lunch”, words and music by Stephen Sondheim

Geniuses attempt to capture the absolute best version of their just-opened Broadway hit. D. A. Pennebacker films the process.  The result is completely fantastic.

Broadway tradition has it that the original cast recording of a show is recorded on the Sunday following its opening.  This will be the definitive version of the musical for years to come.  Composer Stephen Sondheim, director Harold Prince, and record producer Thomas Z. Shepard meticulously coach the performers to bring the best out of them.

And then we are treated to excerpts from all the songs in the show sometimes with multiple tweaks.  The film concludes with the incomparable Elaine Stritch belting out take after take of “The Ladies Who Lunch” in the wee hours of the morning.

There was a period in my youth I could call the “Sondheim years” when my theater friends and I would listen to Broadway soundtracks over and over.  This one and Sondheim’s “Follies” soundtrack were my favorites.  This documentary lets you intimately into the production of those albums.  Fantastic to find a 1970 film that doubles as Lockdown viewing!  If you are interested in the topic, you are sure to love the film.

 

Every Little Step (2008)

Every Little Step
Directed by Adam Del Deo and James D. Stern
2008/US
IMDb page
First viewing/Amazon Prime rental

Kiss today goodbye
And point me toward tomorrow
We did what we had to do
Won’t forget, can’t regret
What I did for love — “What I Did for Love” – Lyrics by Edward Klebam

This film combines two of my first loves — documentaries and Broadway musicals.  So naturally it was perfect viewing for Lockdown.

The movie covers the eight-month exhaustive audition process for the cast of the 2006 Broadway revival of Michael Bennett’s A Chorus Line.  So it’s a movie about auditions for a musical about auditions for a musical.  It is a love letter to all those Broadway performers who dance their hearts out with little public recognition.

It’s about breaking into the business and trying to sustain one’s career once there.  Along the way, we get try-outs featuring many of the musical’s numbers performed by multiple candidates for the line.  We also get the back stories of the dancers as well as a chronicle of the creation of the original musical by Bennett and his fellow dancers.

I just loved this.  If you have similar tastes, you will too.

The cast of the Broadway revival, more than 10 years on, in a virtual performance (6 minutes) during quarantine can be found on YouTube by searching “A Chorus Line in Quarantine”.  It won’t let me link.  Inspiring!

That’s Entertainment (1974)

That’s Entertainment
Directed by Jack Haley Jr.
Written by Jack Haley Jr.
1974/US
IMDb link
Repeat viewing/Amazon Instant

[box] Gene Kelly: When you dance with Fred Astaire, you really have to be on your toes. This number from “Ziegfield Follies” was the only time we had a chance to work together. But, I’d change my name to Ginger if we could do it again.[/box]

What a time!  The MGM musical was old enough to be nostalgic but many of the stars were alive and kicking.  I was transported back to my youthful enthusiasm for these old movies.  A lovely destination for Lockdown.

The film was made to celebrate MGM’s 50 year history.  Aside from one episode featuring Clark Gable (we see him do a mean soft shoe to “Puttin’ on the Ritz” as well as in a beautiful photo montage)), the clips are from the MGM dream factory back when Arthur Freed was in charge of Musicals.  Each of the episodes is narrated by a star associated with the star being covered.  For example, Gene Kelly takes charge of Fred Astaire’s clips while Fred covers Gene.

The clips used range from the obvious – Gene Kelly dancing to “Singin’ in the Rain” – to the obscure – Cliff Edwards doing the same number with a bevy of chorus girls in “The Hollywood Review of 1929”.  Other hosts include Bing Crosby, Peter Lawford, Liza Minnelli, Donald O’Connor, Debbie Reynolds, Micky Rooney, Frank Sinatra, James Stewart and Elizabeth Taylor.

The movie is over two hours  long but has plenty of pep to carry it through.  You will never see better singing and dancing.  If you share my fondness for the genre and era, it’s a must-see.

Fred Astaire with ultimate tap partner Eleanor Powell in this incredible clip from Broadway Melody of 1940 (1940)

Return of the One-Armed Swordsman (1969) + The Band Wagon (1953) redux

Return of the One-Armed Swordsman (Du bei dao wang)
Directed by Cheh Chang
Written by Cheh Chang
Hong Kong/1969
IMDb link
First viewing/Amazon Prime

 

[box] Never give a sword to a man who can’t dance. — Confucius[/box]

Just a fun wuxia movie to distract nicely from Lockdown.

This is a sequel to The One-Armed Swordsman (1967).  At the end of that film, our hero (Jimmy Wang Yu) retired to become a peaceful farmer with his beloved wife.  At the beginning of this one, honor and loyalty compel him to defend his school against a rival gang led by the Eight Demon Swordsmen.  Dozens die in numerous one against many battles spilling gallons of red paint along the way.  Impalements and wire-work are also featured.

I think of these more as fantasies than as violent action films and generally enjoy them

Version I watched was dubbed.

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I needed a large dose of happiness and found it, in spades, in Vincente Minnelli’s The Band Wagon (1953).  My review can be found here.  The different numbers are like children, I couldn’t possibly choose a favorite.  This time around, Fred Astaire and Cyd Charisse’s “Dancing in the Dark” seemed extra-exquisite to me.

The Cow (1969)

The Cow (Gaav)
Directed by Dariush Mehrjui
Written by Dariush Mehrjui from a play by Gholam-Hossein Saedi
1969/Iran
IMDb link
First viewing/YouTube
One of 1001 Movies You Must See Before You Die

 

[box] Masht Hassan: I’m not Hassan. I’m his cow.[/box]

This movie, if not exactly upbeat, is an excellent escape into a little-known culture and is therefore appropriate for Lockdown.

Hassan, a simple man treats his beloved pregnant cow as a pet.  It is the only cow in a village that is constantly preyed on by livestock rustlers from a neighboring village.  One day Hassan needs to go to the city.  While he is gone, the cow is found dead in her shed. The villagers know that this will devastate Hassan and attempt to conceal the reason for the cow’s absence.

Hassan comes home and is not fooled for long.  He gradually descends into madness. The villagers try to break the spell while simultaneously battling the thieves that descend on them almost every night.

I liked this very much. The best parts for me were the glimpses of folk customs and the beautiful score.  Available on YouTube for free in a good print.  Recommended.

Clip – print quality was much better in full version on YouTube

Singin’ in the Rain (1952) Lockdown Edition

I rarely post about films I have already reviewed for this blog.  But I’m keeping a record of what helped me keep sane during Lockdown.  You can find my full review here.

Also I wanted to post this picture, which encapsulates joy, love and hope under adverse circumstances.

As a bonus, let Gene Kelly lighten your heart.

 

The Artist (2011)

The Artist
Directed by Michel Hazanavicius
Written by Michel Hazanavicius
2011/France/Belgium/US
IMDb link
Repeat viewing/Amazon Instant
One of 1001 Movies You Must See Before You Die

[box] Doris: I’m unhappy.

George Valentin: So are millions of us.[/box]

I can’t think of a more perfect movie for these times.  These enthusiastic young people wouldn’t let any mere virus get in the way of their dreams!  And so we must hold onto ours.

The story takes place in Hollywood between 1927 and 1932 as the movies were transitioning from silents to talkies.  George Valentin (Jean Dujardin) is a conceited silent film star of the Douglas Fairbanks, swashbuckling sort.  He meets very cute with his biggest fan Peppy Miller (Berenice Bujo)  who is trying to break into the business.  His path crosses with Peppy’s several times as the story continues and there is an unmistakeable attraction at each meeting.  George, however, is married to the long-suffering Doris, who hates everything about him but his money.

Studio head Al Zimmer (John Goodman) informs George that the studio is going strictly to talkies.  He says audiences are looking for new faces.  Peppy will be one of them as her star rises high.

But George refuses to speak.  Instead he put every penny he has into a self-produced and directed jungle adventure.  This bombs at the box office.  His wife leaves him.  He is reduced to living in a small apartment with his faithful driver Clifton (the wonderful James Cromwell).  Things go downhill from there for George. I’ll stop there.  With the ultra-talented Uggie as Jack, George’s dog.

I absolutely love this movie.  It delighted me on original release and I had a grin slapped on my face for the entire running time yesterday.  My plot summary does no justice to the very clever screenplay which takes situations from classic movies (Singin’ in the Rain; A Star Is Born) in a totally modern and unexpected direction.

Every element of this film is flawless in my opinion.  The Artist  is beautiful to look at and listen to. I entered another world as I got immersed in the story and characters.  This is truly cinema.   Most Highly Recommended.

Hollywood has always loved movies about itself.  The Artist won Academy Awards in the categories of Best Picture; Best Director; Best Actor; Best Costume Design; and Best Music, Original Score.  It was nominated in the categories of Best Supporting Actress (Bejo); Best Writing, Original Screenplay; Best Cinematography; Best Film Editing; and Best Art Direction.

Army of Shadows (1969)

Army of Shadows (L’armee des ombres)
Directed by Jean-Pierre Melville
Written by Jean-Pierre Melville from a novel by Joseph Kesel
1969/France
IMDb link
First viewing/Criterion Channel

 

[box] Tagline: Betrayal. Loyalty. Collaboration. Resistance.[/box]

I love Melville and the actors in the great cast.  The plot was a tad too convoluted and dialogue-free for this distracted soul during Lockdown.

The setting is WWII France.  Philippe Gerbier (Lino Ventura) leads a cell of French Resistance fighters.  He is denounced by a collaborator and interned in a concentration camp. His comrades, including the brave, tough Mathilde (Simone Signoret), help him escape from prison.  It is now time for reprisals on the collaborator.

A bunch of other stuff happens, leading to the need to take action against a tortured colleague who squealed.  Paul Meurisse plays the commandant of another cell.

The story captures the real life experiences of Melville and co-writer Kessel in the resistance during WWII.  It has a beautiful score and some great performances.  This is not much of a review but it will have to do for now.

For some reason, this movie was not released in the USA until 2006, when a restoration opened to great critical acclaim.

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I also watched Top Hat (1935) which I have previously reviewed on this blog. What a treat!  Beautiful art deco sets, elegance, romance, love, snappy banter, Eric Rhodes, Eric Blore, Edward Everett Horton, and of course Fred and Ginger dancing in such sublime partnership.  Back when people weren’t afraid to dance cheek to cheek.  Heaven!