Category Archives: 1981

The Killing of America (1981)

The Killing of America
Directed by Sheldon Renan
Written by Leonard Schrader and Chieko Schrader
1981/US
IMDb page
First viewing/YouTube

 

[last lines] Narrator: While you watched this movie, five of us were murdered. One was the random killing of a stranger.

The scariest thing about this scary documentary is that violence in America is even worse more than 40 years later.

The film covers the history of violence in America from the assassination of John F. Kennedy to the assassination of John Lennon with other key assassination and assassination attempts along the way.

We also see footage of famous snipers, lunatics, serial killers, spree killers, etc.  Very graphic footage.

While one can’t exactly recommend this movie due to its non-stop carnage, it certainly accomplishes its aim brilliantly.  There is a ton of newsreel and other footage that I had never seen before.  The interviews are also revealing.

 

On Golden Pond

On Golden Pond
Directed by Mark Rydell
Written by Ernest Thompson from his novel
1981/US
IMDb page
First viewing?/YouTube rental

 

Ethel: Sometimes… you have to look hard at a person and remember… that he’s doing the best he can. He’s just trying to find his way, that’s all. Just like you.

The acting is the thing in this sweet movie about family and aging.

Norman Thayer Jr. (Henry Fonda) and his wife Ethel (Katharine Hepburn) have spent summers at their place on Golden Pond in New England for years.  He is about to turn 80 and is currently obsessed with dying and his failing memory.  Ethel adores him but worries.  Their daughter Chelsea (Jane Fonda) is to visit for the birthday party with her new boyfriend Bill (Dabney Coleman) and his thirteen-year-old son Billy.  Chelsea carries a grudge toward Dad for various slights in her childhood.

And Dad is definitely not on his best behavior for Chelsea’s visit.  He seems to have lost his filter and blurts out the first thing that crosses his mind, which is usually not too pleasant.  Despite all this Chelsea wants her parents to take Billy for a month so that she and Bill can vacation in Europe.  Norman and Ethel agree.

This is one of those movies I was sure I had seen before.  Evidently not.  It’s a well-done story about aging and family.  It would have been treacly without the outstanding Oscar-winning performances by Fonda and Hepburn.  How is it that Fonda did not win before this?  He is really great here.  Hepburn is playing Hepburn as only she can.  I loved the scenery too.

Henry Fonda and Katharine Hepburn won Best Actor (his first) and Best Actress (her fourth) Oscars.  The film was nominated in the categories of Best Picture, Best Director and Best Supporting Actress.

Loons! I love them so

This Is Elvis (1981)

This Is Elvis
Written and Directed by Malcolm Leo and Andrew Solt
1981/US
IMDb page
First viewing/YouTube renta

 

 

I hope I didn’t bore you too much with my life story. — Elvis Presley

An uneasy but interesting mix of biopic and documentary that features revealing footage of Elvis Presley’s journey from humble country boy to King of Rock and Roll to tragic figure.

 

The film attempts to tell its story using a mix of actors and seldom seen footage of Elvis.  We see early TV appearances, scenes from his movies, and concert footage.  Home movies and newsreels are included.  It is sad to see his disintegration in the 70’s.  Non-stop touring left him looking both high and ill as he struggles through his lines on stage.  Only his voice remained.  And what a voice he had.

Recommended!

 

Rewatch: Body Heat (1981)

Body Heat
Written and Directed by Lawrence Kasdan
1981/USA
The Ladd Company through Warner Bros.
IMDb page
Repeat viewing/YouTube rental
One of 1001 Movies You Must See Before You Die

Ned: Maybe you shouldn’t dress like that.
Matty: This is a blouse and a skirt. I don’t know what you’re talking about.
Ned: You shouldn’t wear that body.

I reviewed this for the Blog Club almost eleven years ago.  I could not resist giving it a rewatch.  You can see my original review here.  I stand by every word.  Excellent Neo-noir that stands up well to multiple viewings.

I love this movie!

Missing theme song?

The Aviator’s Wife (1981)

The Aviator’s Wife (La femme de l’aviateur)
Directed by Eric Rohmer
Written by Eric Rohmer
1981/France
IMDb page
Repeat viewing/Amazon Prime rental

When people get married because they think it’s a long-time love affair, they’ll be divorced very soon, because all love affairs end in disappointment. But marriage is a recognition of a spiritual identity. — Joseph Campbell

The first in Eric Rohmer’s six-part “Comedies et Proverbes” is one of his classic contemplations on the vicissitudes of young love.

Anne (Marie Riviere) is a working 25-year old.  As the movie begins, her married lover Christian comes over at 7 am to inform her that he is going back to his wife, who is now pregnant.  She spends the entire rest of the film in a very bad mood.  She is also seeing Francois, a 20-year-old student who adores her.  He has even arranged for someone to repair her faulty plumbing.  But she just wants him to leave her alone so she can suffer in private.

Francois spotted Christian leaving Anne’s building and Anne refuses to explain what is going on.  So when he spots Christian and a blonde in a cafe, he decides to follow them. In the process, he meets pretty, saucy 15-year old Lucie.  She rapidly figures out what he is up to and becomes his enthusiastic partner in detection.

While this is not the best movie Rohmer ever made, it is thoroughly enjoyable.  The director has such a deft hand at portraying the confusion of youth and the vagaries of attraction and romance. So they are not so much stories about love as they are comedies of manners about how people search for love.

Not a missing theme song but relevant none the less

Gallilopoli (1981)

Gallilopoli
Directed by Peter Weir
Written by Peter Weir and David Williamson from a novel by Ernest Raymond
1981/Australia
IMDb page
First viewing/YouTube rental
One of 1001 Movies You Must See Before You Di

Major Barton: [to the soldiers] All right men… we’re going. But I want you to remember who you are. You are the 10th Light Horse! Men from Western Australia. Don’t forget it. Good luck.

Good film about a landmark battle in Australian history.

The story takes place in 1915 and begins in West Australia.  Archy Hamilton (Mark Lee) can sprint like a leopard and win a race barefoot against a man on horseback.  He is relentlessly cheerful and idealistic.  Frank Dunne (Mel Gibson) is also a talented runner.  In other regards he is nothing like Archy.  Frank is a cynic who is generally motivated to do anything he thinks will make him look important.

The men’s athletic endeavors coincide with a recruitment campaign for soldiers to serve in Australia’s contribution on behalf of the British Empire in WWI.  This seems far more important than running to Archy, who succeeds in joining up by lying about his age. Dunne sees no reason to risk his skin until he learns that a uniform makes quite the impression on the ladies.

All dreams of glory are crushed when the men are ordered to land on the shores of Gallipoli.

This is a solid war movie and very watchable.  I had been looking forward to seeing it for years.  It did not quite live up to my expectations, perhaps because I am not a huge fan of Mel Gibson.  But he’s not bad in this.  He looks so much younger here than in the Mad Max films.

I’d love to get the opinions of Australians on the film and its historical accuracy.

Modern Romance (1981)

Modern Romance
Directed by Albert Brooks
Written by Albert Brooks and Monica McGowan Johnson
1981/US
IMDb page
First viewing/YouTube rental

 

Robert Cole: I do love you. I mean, love has nothing to do with this. Yes, I love you. I mean, that makes it very confusing, but I just don’t think… I mean… you’ve heard of a no-win situation, haven’t you?
Mary Harvard: No.
Robert Cole: No? Really, no? You’ve never heard of one? Vietnam? This? I’m telling you they’re around. I think we’re in one of them.

Love in the 80’s was as complicated as it is in the new millennium,  Maybe more so.

Robert Cole (Albert Brooks) is a film editor and is working on what looks like a Grade Z sci-fi flick.  As the movie begins, he breaks up yet again with the long-suffering Mary Harvard (Kathryn Harold).  She is a level-headed bank officer.  He is a neurotic, jealous, mess.  But the sex is good and they can’t stay apart.  With Bruno Kirby as Robert’s assistant editor and friend and George Kennedy as himself.

The Brooks character would be no woman’s idea of a catch, though he can throw on the charm when necessary.  Usually to get forgiveness for some unforgivable offense.  But he makes us like him anyway and laugh at him and his cluelessness.  Brooks also gets in some funny insights into the movie business.  If you like Brooks, you won’t want to miss this one.  If you aren’t already familiar with him, I would suggest starting with Lost in America (1985).

Missing theme song

Chariots of Fire (1981)

Chariots of Fire
Directed by Hugh Hudson
Written by Colin Weiland
1981/UK
IMDb page
Repeat viewing/YouTube rental
One of 1001 Movies You Must See Before You Di

Harold M. Abrahams: If I can’t win, I won’t run!
Sybil Gordon: If you don’t run, you can’t win.

This film is more than its iconic Vangelis score.

The film is set in the period leading up to the 1924 Paris Olympic Games.  Harold Abrahams (Ben Cross) is the son of a wealth Jewish financier and can run like the wind.  He is part of a strong track team at Cambridge University.  He is acutely aware of his outsider status and runs to prove something to his comrades and himself.  He also fits in by being a star in Gilbert and Sullivan productions at his school.  He eventually meets and falls in love with actress Sybil Gordon (Alice Krige).

Eric Liddell (Ian Charleson) could not be more different from Abrahams.  He is a devout Christian who aims to become a missionary to China.  But he also runs like the wind and believes he was given his talent for the glory of his God.

Both men are training for the Olympics.  Abrahams is so intent on becoming a champion that he hires professional trainer Sam Mussabini.  Both men head off to the games where drama awaits.

I clearly remember first seeing this on a plane.  The experience was memorable because the plane landed before it was finished!  I did eventually see the film and enjoyed it.  The rewatch did not disappoint.  This is a handsomely produced look at sportsmanship back at a time when gentlemen pursued glory on the field.  Very entertaining.

Chariots of Fire won Academy Awards in the categories of Best Picture, Best Original Screenplay, Best Costume Design, and Best Original Score.  It was nominated in the categories of Best Director, Best Supporting Actor (Holm) and Best Film Editing.

Diva (1981)

Diva
Directed by Jean-Jacques Beineix
Written by Jean-Jacques Beineix and Jean Van Hamme from a novel by “Delacorta” (Daniel Odier)
1981/France
IMDb page
Repeat viewing/YouTube rental
One of 1001 Movies You Must See Before You Die

A triumph of style over substance.

The setting is a very hip and artsy contemporary Paris.  A young postman/messenger idolizes opera soprano Cynthia Hawkins (Wilhelnmenia Wiggins Fernandez).  Hawkins has long refused to record her performances. So the postman records a performance surreptitiously.  Afterwards, he goes back stage, meets her, and steals her dress.  He returns to his stupendously cool Paris loft.

A little later he meets a super-cool Vietnamese teenager and strikes up a relationship with her even though she shares the even more stupendous loft of a philosopher? writer? brooding hipster?.  A prostitute tosses another tape into the postman’s moped saddlebag.  This tape is relentlessly pursued by French hit men and their employer.  The tape of the singer is relentlessly pursued by West Indian? Taiwanese? pirates.

Obviously, I found the plot hard to follow.  But this is an example of the “cinema du look” movement and the production is the thing here.  The film certainly delivers in terms of its beautiful art direction, cinematography and score.  So it is an enjoyable watch though not one that I would seek out again particularly.

An American Werewolf in London (1981)

An American Werewolf in London
Directed by John Landis
Written by John Landis
1981/US
IMDd page
Repeat viewing/YouTube rental
One of 1001 Movies You Must Die

David: I will not be threatened by a walking meat loaf!

Comedy and horror are an uneasy mix.  This works better than it has any right to.

David Kessler (David Naughton) and Jack Goodman (Griffin Dunne) are American college students and best friends who are spending their summer vacation in Europe.  Currently they are backpacking through the English moors.  It is a desolate area and they get out of the cold by entering an isolated pub called The Slaughtered Lamb.  They do not receive a warm welcome from rhe curiously standoffish patrons and barkeeper.  Nor do they get answers about the pentagram on the wall.

It is a moonlit night.  The boys hit the trail again in the rain and promptly get lost.  They then start hearing a howling that makes them very nervous.  This presages a violent attack that leaves Jack dead and David wounded.  The next time he is seen, David is awakening from a coma in a London hospital.  Things go downhill from there.  The only bright spot in David’s life is pretty nurse Alex Price (Jenny Agutter).
I last saw this on original release and was not wowed.  This time around I liked it much much more.  The makeup and effects are out of this world and the comedy melds nicely with some real horror.  But my favorite part is the soundtrack, which contains many songs about the moon.  Recommended.

Rick Baker won the Academy Award for Best Makeup, the first time this award was given.