Category Archives: 1962

Experiment in Terror
Directed by Blake Edwards
Written by Gordon and Mildred Gordon from their novel
1962/USA
Geoffery-Kate Productions
First viewing/Amazon Instant

[box] “See now the power of truth; the same experiment which at first glance seemed to show one thing, when more carefully examined, assures us of the contrary.” ― Galileo Galilei, Discorsi E Dimostrazioni Matematiche: Intorno a Due Nuoue Scienze, Attenenti Alla Mecanica & I Movimenti Locali [/box]

This very good thriller might have been great.

Kelly Sherwood (Lee Remick) is a bank teller.  She lives alone with her teenage sister Toby (Stefanie Powers).  As the movie begins, she is grabbed from behind in her own garage.  A sinister asthmatic tells her that if she does not steal $100,000 from her bank for him, he will kill her and/or her sister.  She does not see the asthmatic’s face.  He seems to know everything there is to know about her and her schedule.

But Kelly is not about to steal the money and finally manages to contact the FBI, which puts agent John Ripley (Glenn Ford) on the case.  The rest of the movie moves briskly along to D-Day when we learn whether good or evil will prevail.

This is quite an enjoyable thriller.  I find I like about anything Lee Remick is in. I had higher hopes for the picture though.  It would have been more suspenseful if the FBI had been a little sloppier or the culprit a little bit smarter.  No one did these stories like Hitchcock or ever will.  Still recommended if the plot appeals.

Mr. Hobbs Takes a Vacation
Directed by Henry Koster
Written by Nunnally Johnson from a novel by Edward Streeter
1962/USA
Twentieth Century Fox Film Corporation
First viewing/Netflix rental

Roger Hobbs: There ought to be an un-Edison, an un-Thomas Alva Edison who un-invents things, and the first thing they ought to un-invent is that television.

Family vacation movies have been a comedy trend since the early days on cinema.  This is an OK one.

Banker Roger Hobbs (James Stewart) is needs a vacation from his hectic life in the busy city.  He is particularly anxious for some time away from his children with his pretty wife Peggy (Maureen O’Hara).  Naturally, Peggy has other plans.  Her idea is to gather the whole clan, including a couple of married daughters and their families, for a month by the sea.  To this end she rents a vacation house.

Naturally, the house is a total disaster requiring the constant ministrations of Roger and the local plumber.  Both of the older daughters are having marriage problems, the teenager is going through a phase with new braces, and the all the youngest wants is to watch TV.  Finally, all comes to a head when the family also has to entertain the weirdo prospective employer of one of the sons-in-law and his wife.  Will Roger ever get a break?  With Fabian as a teenager and John McGiver as the boss from hell.

If you have seen Mr. Blanding Builds a Dream House or any of a number of other old house vs. city slicker movies you will have a fair idea of the kind of thing that goes on here.   There’s actually some pretty funny bits mixed in with the more predictible stuff.

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Forever My Love
Directed by Ernst Marischka
Written by Ernst Marischka
1962/Austria
Erma-Film
First viewing/Netflix rental

[box] Duchess Elisabeth in Bavaria (24 December 1837 – 10 September 1898) was Empress of Austria by marriage to Emperor Franz Joseph I. Born into the royal Bavarian house of Wittelsbach, Elisabeth (also called “Sisi”) enjoyed an informal upbringing before marrying at the age of sixteen. The marriage thrust her into the much more formal Habsburg court life, for which she was unprepared and which she found uncongenial. She came to develop a deep kinship with Hungary, and helped to bring about the dual monarchy of Austria–Hungary in 1867. The death of her only son Rudolf, and his mistress Mary Vetsera, in a murder–suicide tragedy at his hunting lodge at Mayerling was a blow from which Elisabeth never recovered. While travelling in Geneva in 1898, she was stabbed to death by an Italian anarchist named Luigi Lucheni. — Wikipedia [/box]

This is a compilation of three films starring Romy Schneider and Karl Boehm about the romance between Emperor Franz Joseph and “Sissi”, who became his empress.  We follow their brief courtship, Sissi’s many run-ins with her mother-in-law, and Sissi’s role in easing tensions with Hungary and Italy.  Judging from the Wikipedia biography, the story was highly fictionalized.

This is OK as lavish storybook love stories go.  The costumes and scenery are truly grand. It didn’t make me want to go back and see the original three but I think it suffered in compilation.  For one thing, the ending kind of comes out of nowhere.  I watched a dubbed version.

I know it’s not the missing title tune, but this is the one became an earworm after watching this movie.

The War Lover
Directed by Philip Leacock
Written by Howard Koch from a novel by John Hersey
1962/UK/USA
Columbia Pictures Corporation/Columbia British Productions
First viewing/Netflix rental

Captain Buzz Rickson: Lady, I belong to the most destructive group of men the world has ever known. That’s my work.

I wasn’t quite prepared for a movie where I felt like slapping Steve McQueen throughout.

The story is set prior to D-Day while the US Air Force is conducting bombing runs out of Britain.  Buzz Rickson (McQueen) is an ace pilot.  He is also an arrogant a-hole and miserable human being.  Even his co-pilot Ed Boland (Robert Wagner) is getting sick and tired of him.  Buzz spends his off hours playing humiliating pranks and pursuing women. Ed meets Daphne (Shirley Anne Field), an upper-crust intelligence worker, and spends his off hours being in love with her.  Buzz wants everything he can’t have.

About half of the film is comprised of bombing runs.  The other half follows the love triangle and Buzz’s general ass-hattery.  With Michael Crawford in a small part as a raw recruit.

McQueen plays the kind of guy I love to hate.  He is evidently so damaged that the only pleasure he can get is from destruction.  This serves him well as a bomber pilot – less so as a human being.  McQueen does well as an anti-hero and it’s a solid film but not one I will likely watch again.

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That Touch of Mink
Directed by Delbert Mann
Written by Stanley Shapiro and Nate Monaster
1962/USA
Granley Company/Arwin Productions/Nob Hill Productions Inc.
First viewing/Netflix rental

[box] Connie Emerson: [talking to Cathy] For 2000 years we’ve had their children, washed their clothes, cooked their meals and cleaned their houses. And what did they give us in return? The right to smoke in public. We sold out for a cigarette – and you don’t even smoke![/box]

Right before being a 40-year-old virgin was just plain embarrassing, Doris Day was tempting some mighty handsome man to the altar in just that condition.  Cary Grant makes a more than adequate stand-in for Rock Hudson.

Cathy Timberlake (Day) is an unemployed career woman with a great wardrobe and apartment.  One day, her immaculate attire is doused when fabulously wealthy Phillip Shayne’s (Grant) limo speeds through a large puddle.  He sends his minion (Gig Young) out in search for her to make things right.  Once he sees Cathy, though, he has more than mercy on his mind.  For her it is love at first sight.  That’s why she allows him to treat her to a deluxe romantic getaway in Bermuda.

Somehow, our heroine manages to maintain her virtue.  The rest of the story follows the wrangling and misunderstandings that usually lead to a happy ending.  With Audrey Meadows as Cathy’s friend.

This is up there with the Rock Hudson-Doris Day rom-coms of the period.  Grant is always a joy to watch.  Nice for a weekday afternoon.

That Touch of Mink was nominated for Academy Awards in the categories of Best Writing, Story and Screenplay – Written Directly for the Screen; Best Art Direction-Set Decoration, Color; and Best Sound.

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Damn the Defiant! (AKA “HMS Defiant”)
Directed by Lewis Gilbert
Written by Nigel Kneale and Edmund H. North from a novel by Frank Tilsely
1962/UK
Columbia Pictures
First viewing/Netflix rental

[box] Captain Crawford: [Crawford smacks his desk, jumps up and approaches Scott-Padget] I will say this to you only once, sir: I will not be bullied or threatened and I intend to be obeyed! Your friends in London mean nothing to me! I assure you that while you serve aboard this ship, they will mean absolutely nothing to you! You can go now.[/box]

With Billy Budd and Mutiny on the Bounty, Damn the Defiant completes a trifecta of 1962 films about brutality aboard British warships during the Napoleonic Wars.  It’s a worthy entree to the genre.

Captain Crawford (Alec Guinness) is a veteran seaman with great pride in his ship.  Times being what they were the only way to fill the crew is to simply press gang (kidnap) likely men.  Crawford sees this as a necessary evil.  Second in command Lieut. Scott-Padget (Dirk Bogarde) gets sadistic pleasure from the exercise.  One voluntary member of the crew is Crawford’s son who is getting his sea legs as a midshipman.

Scott-Padget rules the men with an iron hand and plenty of lashings.  When the Captain insists on disregarding Scott-Padget’s advice in favor of his orders, the younger man takes it out on the twelve-year-old boy.  Scott-Padget has friends in high places in London (is he the illegitimate son of an Admiral?) but this cuts no ice with Crawford.

Scott-Padget’s main aim seems to be to avoid engagement with the enemy.  Nonetheless, the Defiant prevails in two different sea battles.  Below deck, the ill-used crew is planning mutiny.

I thought this was a nice entertaining adventure.  It’s hard to go wrong with Guinness and Bogarde.  Bogarde plays his part as a suave young gentleman with a heart of stone.

Varan the Unbelievable
Directed by Jerry A. Baerwitz (Ishiro Honda uncredited)
Written by Sid Harris
1962/USA/Japan
Cory Film Corporation/Dallas Productions Inc./Toho Company (uncredited)
First viewing/Amazon Prime

[box] The scariest monsters are the ones that live within our souls.  — Edgar Allen Poe[/box]

Obake didn’t want his name used in this terrible movie so he’s called Varan in the poster art.

Studly, masterful Cmdr. James Bradley lives a perpetual honeymoon with his submissive Japanese wife Anna on a remote Japanese island where he conducts desalinization experiments. He appears to command the Japanese military on the island, possibly in all Japan.  The experiments involve dumping chemicals in the local sacred lake, which the natives believe to be occupied by a monster named Obake.  Bradley’s plans involve evacuating the villagers but Anna pleads for them so he merely quarantines the lake. We can all see where this is going.

Every ham-fisted step Bradley takes to deal with his ensuing problems makes matters worse until he outsmarts both the military and Obake to save the day.

For now, this one holds the title as worst kaiju movie I have ever seen.  It is perhaps unfair as the Americanization seems to have removed about 75% of the Japanese original and replaced it with utter inanity.  Watch at your own risk.

https://www.youtube.com/watch?v=jSaR3c6AWe0

Panic in Year Zero!
Directed by Ray Milland
Jay Simms and John Morton from stories by Ward Moore
1962/USA
Roger Corman Productions
First viewing/Amazon Instant

[box] Dr. Powell Strong: Now, you stay on the back roads. And you keep your gun handy. Our country is still full of thieving, murdering patriots.[/box]

This movie says more about the Alpha-male’s obsession with his gun than it does about nuclear apocalypse.

Harry Baldwin (Ray Milland) is a man’s man and the unquestioned head of his household. This is made up of wife Ann (Jean Hagen and teenagers Rick (Frankie Avalon) and Karen.  The story begins with Harry barking out orders as the family readies itself for an early morning departure to Harry’s favorite fishing spot in their camper.  The family is well out of town when it spots a mushroom cloud in the distance.  Ann convinces Harry to turn back out of concern for her mother but before long Harry has formulated his master plan.  It is basically every man for himself until the return of civilization.

Harry was carrying hunting rifles with him for the vacation and swiftly picks up handguns and ammo.  He descends on an out-of-the way town which has not heard the news and buys a huge stockpile of food and provisions.  When his money runs out, he simply appropriates the necessaries at gun point.  Rick soon follows in the footsteps of dear old dad

Ann pleads to deaf ears for some return to humanity.  Finally, the family sets up housekeeping in a cave near the fishing spot.  All encounters with other survivors are met with hostility.  Finally, an appropriate object for violence presents itself in the form of some JD punks who have their eye on daughter Karen.

If I had had a father or husband like Ray Milland’s character, my only prayer would be for immediate disintegration by the bomb.  The type was, of course, more common in 1962 and perhaps this is a kind of critique of survivalist gun nuts.  On the other hand, the little family does survive.  Any way, it is a well-made movie and worth seeing if you are interested in the topic or genre.

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