Monthly Archives: April 2023

Mansfield Park (1999)

Mansfield Park
Directed by Patricia Rozema
Written by Patricia Rozema from a novel by Jane Austin
1999/UK

IMDb page
First viewing/Amazon Prime rental

Edmund Bertram: There are as many forms of love as there are moments in time.

The late 1990s was prime time for Jane Austen adaptations. Here is an interesting one.

The Ward family had three beautiful daughters. The most beautiful of all, a complete airhead, married into the nobility becoming Lady Charles Bertram, another married a clergyman who received the parsonage on the Bertram estate and became a confirmed meddler known as Mrs. Norris. The final daughter married a sailor of low character named Price for love and produced nine children. Our heroine Fanny Price (Frances O’Connor) is the eldest of these.

Childless busybody Mrs. Norris suggests that Fanny be taken off the Prices’ hands and raised to be a gentlewoman. She grows up with the four Bertram children but is always treated as an inferior. The only one of her cousins with any sense or brains is Edmund. Fanny develops feelings for him but knows this is hopeless.

Into this milieu come dastardly scoundrels Mary and Henry Crawford, who attempt to seduce and corrupt Edmund and Fanny respectively. With Harold Pinter as Sir Thomas Bertram.

This adaptation strays fairly far afield from the novel. Here, Fanny is an aspiring writer, an obvious stand in for Jane Austen, and has quite the witty tongue unlike the humble and priggish character in the novel. The lighter tone here actually improved Austin’s most moralistic novel at least for me. I found this version much better than the 2007 TV movie.

Manhattan (1979)

Manhattan
Directed by Woody Allen
Written by Woody Allen and Marshall Brickman
1979/US

IMDb page
Repeat viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die

Isaac Davis: Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat. Oh, I love this. New York was his town, and it always would be.

When I saw this on original release, long before the scandal, I thought this was Woody Allen’s best ever. Decades later it’s still near the top. As a valentine to New York City, it will probably never be surpassed.

Isaac (Allen) is a twice-divorced TV comedy writer. His last wife (Meryl Streep) left him for another woman and is now writing a scathing memoir about the horrors of their marriage. He is dating a 17-year-old high school student named Tracy (Mariel Hemingway). Tracy is the only character in the movie who is not pretentious and neurotic.

Tracy and Isaac double date with Isaac’s best friend Yale (Michael Murphy) and his wife Emily. Early on, Yale discloses that he is having an affair with journalist Mary (Diane Keaton), whom Isaac hates at first meeting. Then she changes his mind and complications ensue.

I remember this movie mostly for the scenes with Mariel Hemingway who was perfect for her character. But the images of Manhattan and all that glorious Gershwin music are the star attractions. Allen also gets in some hilarious digs at pseudo-intellectuals. Recommended.

This gives me chills

A Bill of Divorcement (1932)

A Bill of Divorcement
Directed by George Cukor
Written by Howard Estabrook and Harry Wagstaff Gribble from a play by Clemence Dane
1932/US
RKO Radio Pictures
IMDb page
First viewing/Amazon Prime rental

Sydney Fairfield: It’s in our blood, isn’t it?

Katharine Hepburn was a little bit too mannered in her film debut. But boy did she light up a screen!  Fourth-billed after David Manners, she was definitely a shimmering star in the cinema firmament from her first line of dialogue.

Billy Burke was divorced long ago from institutionalized shell-shocked lunatic John Barrymore. It is the eve of her wedding day to the man she loves. Daughter Katharine Hepburn is happily engaged to David Manners.

Of course, Barrymore escapes from the asylum that same day expecting to find his wife waiting. Much drama ensues.

I enjoyed this mostly for the performances of Hepburn and Burke. Barrymore is fascinating to watch but takes his character right over the top.

The Great Santini (1979)

The Great Santini
Directed by Lewis John Carlino
Written by Lewis John Carlino from a novel by Pat Conroy
1979/US

IMDb page
Repeat viewing/Amazon Prime rental

Bull Meechum: I am Santini, the Great Santini.
Bull Meechum: I come from behind the moon, out of the dark, unannounced.
Bull Meechum: Watch out!

Robert Duvall plays the title character, a career Marine fighter pilot whose real name is Bull Meechum. He’s an alcoholic , loves mean jokes, and treats his family as if he is the drill sergeant and they are a bunch of grunts. He has a hot temper and can lash out with violence. His family is simultaneously proud of Bull’s accomplishments and both terrified and resentful of his many outbursts.

This is also the coming-of-age story of the family’s eldest son Ben (Michael O’Keefe). Being the first born male enormous expectations are placed on him. Can he stand up to his father and carve his own place in the world?

This is one of Robert Duvall’s greatest performances, enough to warrant a watch all by itself. I watched it last on original release and I still remembered vividly where Duvall taunts Michael O’Keefe by bouncing a basketball off his head. The whole thing is a very well-done and powerful dissection of the dysfunctional family.

 

Red-Haired Alibi (1932)

Red-Haired Alibi
Directed by Christy Cabanne
Written by Edward T. Lowe from a novel by Wilson Collison
1932/US
Tower Productions

IMDb page
First viewing/YouTube

Like all New York hotel lady cashiers she had red hair and had been disappointed in her first husband. — Al Capp

Cigarette-stand girl Merna Kennedy gets hired by man-about-town Theodore van Eltz to pose as his wife at critical moments. She is unaware he’s a gangster. Eventually, she marries a straight-arrow widower and forms a mutual admiration society with his toddler daughter (Shirley Temple in her film debut). Complications ensue.

Actors are appealing. Plot is kind of meh.

A star is born

The Sin of Nora Moran (1933)

The Sin of Nora Moran
Directed by Phil Goldstone
Frances Highland from a story by W. Maxwell Goodhue
1933/US
Larry Darmour Productions
IMDb page
First viewing/YouTube

True love is selfless. It is prepared to sacrifice. — Sadhu Vaswani

Getting back in the saddle with some brief reviews of films I’ve watched since last time.

I had been looking forward to this one  because of its iconic poster. Zita Johann (The Mummy) plays the titular character. I love her exotic looks. Otherwise it’s kind of a meh “Back Street”-type melodrama where a girl sacrifices all to save her married politician lover.

 

Town Bloody Hall (1979)

Town Bloody Hall
Directed by Chris Hegedus and D.A. Pennebaker
1979/US
IMDb page
First viewing/YouTube

I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat.” Rebecca West

Normal Mailer does battle in a debate with four founding mothers of the women’s liberation movement and a hostile crowd. A good time is had by all. This film was released in 1979 but the debate it captures took place in 1971 during the heady first days of women’s liberation. Some of the rhetoric is pretty out there.

Mailer’s opponents were authors Germaine Greer, Jill Johnston and Doris Lessing, and President of the National Organization of Women Jacqueline Ceballos.

For all the heat and harsh words used at times in the conversation there were plenty of wit and laughter too. Norman Mailer held his own pretty well.

 

Alien (1979)

Alien
Directed by Ridley Scott
Written by Dan O’Bannon and Ronald Shuset
1979/US/U.K.
IMDb page
One of 1001 Movies You Must See Before You Die

Ripley: Micro changes in air density, my ass.

Ridley Scott shows himself to be a master of suspense in this horror/sci-fi thriller.

Whatever the year, space travel has become a commonplace grind, albeit a dangerous one. Ripley (Sigourney Weaver) is second in command on a space ship that must stop off on an icy planet to make repairs. The crew goes to explore and brings back some organic material. Against Ripley’s advice, they bring the material aboard. Of course it becomes a face-hugging, chest-exploding alien.

Science officer Ash (Ian Holm) foils all efforts to destroy the disgusting creature. It is Ripley that must conquer or perish. With an excellent supporting cast including Tom Skerrit, Harry Dean Stanton, Yaphet Kotto, and Veronica Cartwright.

This certainly deserved to be a blockbuster. The production and effects are amazing for the time period and Scott makes his three-hour film fly by like lightening. But it is Weaver that makes the movie. What a truly bad-ass heroine! Recommended.

Blogging from a New Home

I survived the move and will be back to regularly scheduled programming as soon as recovery permits.  I’ve missed you guys.