Monthly Archives: May 2020

Midnight Cowboy (1969)

Midnight Cowboy
Directed by John Schlesinger
Written by Waldo Salt from a novel by James Leo Herily
1969/US
IMDb link
Repeat viewing/Amazon Instant
One of 1001 Movies You Must See Before You Die

 

Joe Buck: You know, Cass, that’s a funny thing you mentioning money – ’cause I was just about to ask you for some.

I have always loved this movie.  Somehow I came out of it exhilarated rather than depressed, making it a good Lockdown pick.

The movie’s protagonist is young, strong, handsome Joe Buck (Jon Voigt).  He starts off from a small Texas town.  We learn bits and pieces from his back story via various snippets in flashback.  Though not explicitly stated, it appears that his grandmother, who raised him, is the smothering type while at the same time being a “wicked woman” of some kind.  Joe may have also been accused of a gang rape of his sex partner “Crazy Annie”.  At any rate, his history has caused him to believe that he can make big money as a gigolo/male prostitute in New York City.

Things definitely do not go as planned.  A woman Joe picks up on the street (Sylvia Miles) expects Joe to pay her.  One of the first people Joe meets is scrounger/con artist Enrique “Ratso” Rizzo (Dustin Hoffman) who rips him off and sends him to service a religious fanatic (John McGiver) .  Joe discovers for himself that his main attraction is for the gay clientele cruising  42nd Street.  When he meets Ratso again they form an unlikely friendship.  I will stop there.  With Brenda Vacarro as a client.

This movie is certainly of its time.  I think its larger theme is the culture clash back when feelings were running high throughout the country.   It also works perfectly as a character story.  Its filmmaking style is a heady mixture of all things “new”.  Sometime Schleshinger goes overboard but more often he is right on.  There’s a fair amount of black comedy peppering the misery.

The performances of Voigt and Hoffman are a thing of wonder.  The music was the soundtrack of my youth. I’ve seen this several times over the years and it has gone from great, to dated, and back to great in my estimation. Highly Recommended.

Midnight Cowboy won Oscars in the categories of Best Picture; Best Director; and Best Writing, Screenplay Based on Material from Another Medium.  It was nominated in the categories of Best Actor (Voigt and Hoffman); Best Supporting Actress (Sylvia Miles); and Best Film Editing.  It was the only X-rated film to ever win the Best Picture Oscar.  The film now carries an R rating.

Take the Money and Run (1969)

Take the Money and Run
Directed by Woody Allen
Written by Woody Allen and Mickey Rose
1969/US
IMDb link
First viewing/Netflix rental

 

[box] Virgil: After fifteen minutes I wanted to marry her, and after half an hour I completely gave up the idea of stealing her purse.[/box]

Way before he was sophisticated, Woody Allen was ridiculous … and hilarious.  This, his directorial debut, is classic early Allen.

The film takes the form of a mockumentary, some say the first, to tell the life story of Virgil Starkwell (Allen), world’s most inept criminal, through gags and voice-over narration.  Virgil grew up in the inner city where he was bullied mercilessly.  Unfit for employment, he begins a life of crime.  Along the way, he falls in love with Louise (Janet Margolin), a laundress.

Virgil becomes inspired to carry off a bank robbery.  Louise waits for him to serve his prison sentence.  He then escapes chained together with a number of other men.  Louise and Virgil marry and have a child.  One entertaining bit follows another.

I have remembered the bits where Woody tries to play cello in the marching band and with the poorly written bank robbery note from 1969 to now.  They are still funny as are many other gags.  Perfect for Lockdown.

The Steve Miller Band had a hit with this in 1969.  Coincidence?

Kes (1969)

Kes
Directed by Ken Loach
Written by Barry Hines, Tony Garnett and Ken Loach from a novel by Hines
1969/UK
IMDb link
First viewing/Netflix rental
One of 1001 Movies You Must See Before You Die

[box] My heart in hiding/ Stirred for a bird,—the achieve of, the mastery of the thing! – Gerard Manley Hopkins, “The Windover”[/box]

A fine film.  Nevertheless, a bit on the despairing side for Lockdown.

Billy is 15 years old.  He lives with his family in a working-class home in Yorkshire. Everyone speaks in a thick Yorkshire dialect.  His father is not in the picture, his mother works all day and goes out at night, and his older brother is a real bully.  Billy is slight in stature and dreamy in nature and is also bullied mercilessly at school by classmates and even teachers.

But Billy has a special gift with animals.  He spies fledglings in a kestrel nest and steals one he names “Kes” to train.  He steals a book on falconry and seems to be a natural at the sport.  Will this relationship with nature improve his situation in life?

The birder in me loved the scenes with Kes and David Bradley gave an outstanding  performance.  Films that feature intentional cruelty especially to children are a hard watch for me.  There is a lot of bullying to endure in this one.  Recommended if you can take the brutal with the poetic.

Kes