Daily Archives: August 22, 2018

Mirage (1965)

Mirage
Directed by Edward Dmytryk
Written by Peter Stone from a novel by Howard Fast
1965/USA
Universal Pictures
First viewing/Netflix rental

[box] Ted Caselle: I tell you one thing, I’m beginning to wish I had a gun.

David Stillwell: You’re kidding?

Ted Caselle: Aw, filthy things, I can’t stand them. You have one and sure as shootin’ you end up using it.[/box]

Meh McGuffin does not spoil excitement of this tense thriller.

The film begins with the total electrical black out of a single skyscraper in New York.  In the darkness, the beloved head of the World Peace Organization meets his death by exiting a window on an upper floor down to the street below.  We promptly meet David Stilwell (Gregory Peck) a cost accountant.  In the darkness of the staircases, he first becomes acquainted with Shela (Diane Baker), who makes cryptic remarks.  She will gradually  become his love interest.

Slowly David realizes he can’t answer the most basic questions about his address, etc. and that he has no friends.  Thereafter, he meets a menacing thug (Jack Weston) and a “friend” (Kevin McCarthy, who urge him to take a vacation in the Bahamas.

David sets out to solve the mystery of his own existence.  A psychiatrist assures him that the symptoms are not of classic amnesia.  A private detective (Walter Matthau) is of even less help.  David’s adversaries become more menacing still as a thug (George Kennedy) begins following him with a gun.  I will not reveal more.

My husband remarked that this was one of the most powerful movies about nothing he had ever seen.  I thought that was pretty apt.  We are treated to a search for a McGuffin that is not even revealed until the last five minutes of the movie.  By that time, this is a huge anti-climax.  But the journey to that point is exciting, helped on by an outstanding cast. Recommended to those in the mood for a thriller.

Tiny clip

Hail, Mafia (1965)

Hail Mafia (Je vous salue, mafia!)
Directed by Raoul Levy
Written by Raoul Levy from a novel by Pierre Lesou
1965/France/Italy
Filmstudio/ITTAC/PECF
First viewing/Amazon Instant

[box] “I can’t stand squealers, hit that guy! ~ Albert Anastasia[/box]

Interesting French take on American mafia business.

Rudy Hamberg (Eddie Constantine) is hiding out in the South of France.  He has been summoned to testify before a Congressional Organized Crime Commission and the bosses want him rubbed out before he can do so.  They assign the hit to Schaft (Henry Silva) and Phil (Jack Klugman).  In addition to duty, Phil says he wants to get to Rudy, a former friend, for impregnating his sister and arranging the abortion that left her mentally scarred for life.

Schaft and Phil bicker as they get closer and closer to their target.  Film ends with a nice twist.

I enjoyed this quite a lot.  Raoul Coutard did the cinematography and I imagine it would be even more impressive if cleaned up a bit.  The dialogue between the two hitmen reminded me of something Tarantino might do.  I wonder if this was an inspiration.  Fine cast doesn’t hurt nor does the fantastic jazz score.