Monthly Archives: May 2017

Night Tide
Directed by Curtis Harrington
Written by Curtis Harrington
1961/USA
Phoenix Films
First viewing/YouTube

[box] Mora: Yes, I love the sea most of all. But I’m afraid of it, too.

Johnny Drake: I guess we’re all a little afraid of what we love.[/box]

This is the kind of dreamy “horror” movie that Val Lewton used to make – albeit on a higher budget.

Johnny Drake (Dennis Hopper) is a lonely sailor on leave.  At a coffeehouse, he spots Mora, a dark-haired beauty, sitting alone .  He tries to chat her up but she would prefer to listen to the music.  He is nothing if not persistent and follows her until she eventually becomes more friendly.  He learns she is an attraction in the pier amusement park appearing as a mermaid.  She has a strange affinity with the sea.

They fall in love.  Soon Johnny becomes acquainted with the very strange people surrounding Mora.  All warn him that her two previous boyfriends were found drowned. He is not dissuaded.  Eventually he begins to wonder if she really is a mermaid.

Far from being a prequel to Splash (1984), this movie portrays mermaids as menacing creatures who lure sailors to their doom.  The potential that Mora is one gives Johnny some pretty horrific nightmares.  This movie is strangely hypnotic.  On the other hand, most of the acting other than Hopper’s is fairly stilted and the pacing could have been better.  On balance, I’m glad I saw this unique little film.

https://www.youtube.com/watch?v=iZ6-ZcVzzIQ

Trailer

Il Posto
Directed by Ermanno Olmi
Written by Ermanno Olmi and Ettori Lombardo
1961/Italy
24 Horses/Titanus
Repeat viewing/FilmStruck

“Oh, you hate your job? Why didn’t you say so? There’s a support group for that. It’s called EVERYBODY, and they meet at the bar.” ― Drew Carey

Olmi deserves a lot of credit for turning a story as slight as this one into something really enchanting and memorable.

Domenico Cantoni has recently left school and has received a letter allowing him to take an aptitude test for employment at a large corporation in Milan.  The wages are low but a job there means lifetime employment.  We follow Domenico through the slightly surreal examination process, during which he meets and tentatively attempts to court a female applicant.

Both Domenico and his friend are eventually hired. No clerk job is available so he begins working life as a messenger.  She works in another building, has a different lunch break, and is very difficult for him to make contact with.  He bumbles along during his working life and the social life the company provides at a very weird New Year’s Eve party.

Everybody has felt like a fish out of water at sometime and Olmi perfectly captures that feeling.  His Domenico is young, vulnerable, and totally endearing.  Although absolutely nobody would sign up to work at this particular corporation, the director takes an amused and even affectionate look at the organization and its employees.  I enjoyed this very much.  Recommended.

Trailer

Judgement at Nuremberg (1961)
Directed by Stanley Kramer
Written by Abby Mann based on his original story
1961/USA
Roxlom Films Inc.
Repeat viewing/Netflix rental

[box] Hans Rolfe: My Country, right or wrong.[/box]

This multi-star production examines changing attitudes to Germany post-WWII.

The film is set in 1948 towards the end of the many Nazi war crimes trials.  The court now reaches the trial of a group of judges that applied Nazi race laws.  The head of the panel of Allied judges is Dan Haywood (Spencer Tracy), a middle American district attorney, who, with the film’s audience will be educated in the legal system under Hitler.  The judges are defended by attorney Hans Rolfe (Maximilian Schell) and prosecuted by JAG Col. Tad Lawson (Richard Widmark).  The most prominent of the German jurists on trial is Dr. Ernst Jannings (Burt Lancaster) a widely published and respected legal scholar.

Rolfe’s defense hinges on depicting his clients as patriots and as judges whose duty was to apply the law of the land.  But the prosecution shows that the judges succumbed political pressure to rule contrary to the established facts.  With Marlene Dietrich as the widow of an executed war criminal, Montgomery Clift as a man sterilized as a “mental defective”; and Judy Garland as a Gentile whose innocent friendship with an elderly Jew led to the man’s execution.

The film is three hours and six minutes long and probably would have been even more powerful with at least half an hour worth of cuts and a tighter screenplay.  That said, it kept my attention throughout and is always thought-provoking.  In the background of the trial lurks the Cold War, in which the U.S. needs the support of West Germany.  Gradually, we see suggestions that Nazi misconduct should be relegated to the history books.  The film comes down squarely on the side of holding individuals responsible for the consequences of their actions.  There’s quite a bit of speechifying but it is of a high standard and goes down fairly easily.

Maximilian Schell won the Oscar for Best Actor and Abby Man for Best Writing, Screenplay Based on Material from Another Medium.  Judgement at Nuremberg was nominated in the categories of Best Picture; Best Supporting Actor (Clift); Best Supporting Actress (Garland); Best Director; Best Cinematography, Black-and-White; Best Art Direction-Set Decoration, Black-and-White; Best Costume Design, Black-and-White; and Best Film Editing.

Trailer

The End of Summer
Directed by Yasujiro Ozu
Written by Kogo Noda and Yasujiro Ozu
1961/Japan
Toho Company/Takarazaka Productions
Repeat viewing/Netflix rental

[box] “Folks are usually about as happy as they make their minds up to be.” ― Abraham Lincoln[/box]

Near the end of his own life, Ozu makes a reflective film about what’s really important at the end of the day.

Widower Manbei Kohayagawa is enjoying his golden years.  He owns a sake brewery but is growing more and more hands-off in its operations.  He has three daughters – the eldest, Fumiko, is married to a company employee.  Next comes Akiko (Setsuko Hara), a widow with a young son.  Youngest is the single Noriko.  This being Ozu, one of the threads of the story is attempts to find husbands for Akiko and Noriko.

More important is the family’s upheaval over Manbei’s reunion with a former mistress and her child who may or may not be his daughter.  Spies are sent out and when suspicions are confirmed Fumiko berates her father harshly.  Manbei’s illness causes a reassessment of the situation and in the end several characters choose between personal happiness and familial obligations.

I always gush about Ozu films and why should this be any exception?  There’s a lot of comedy here and well as true poignancy.  He captures that feeling between exasperation and love for family members that should be familiar to many viewers.

The film is exquisitely shot as usual.  One sequence that both my husband and I remarked on was the arrival of a train.  It begins with a conversation between a man and a woman with unstated undercurrents.  Then you think the man is looking away and the woman looking at him.  It turns out both are looking at an arriving train.  This is indicated simply by sound.  It doesn’t sound like much but the perfection of the composition and the unison of the actors’ movements make it very special.  Highly recommended.

Enjoy this beautiful montage of clips from Ozu’s final six films

Homicidal
Directed by William Castle
Written by Robb White
1961/USA
William Castle Productions
First viewing/Netflix rental

[box] Emily: [to Helga] If it wasn’t for me you would’ve been dead by now.[/box]

William Castle was no Alfred Hitchcock.  That does not prevent his thrillers from being a lot of campy fun.

Something is seriously wrong with Emily.  She has a thing about knives for one thing.  One of her first acts is to pay a bellboy $2,000 to marry her.  She then proceeds to savagely stab the justice of the peace that performs the ceremony.  Leaving two live witnesses, she proceeds home where she has fun threatening Helga, the wheelchair-bound old lady she cares for.

Helga was the nanny (?) to Warren, who stands to inherit $10 million dollars on his upcoming 21st birthday.  He and his sister Miriam are frequent visitors.  All are involved in the weird goings on that follow.  This is a thriller with a twist ending and I won’t reveal more.

The Castle gimmick in this film was a pulse rate monitor near the end.  Audience members whose heartbeat was too fast were advised to leave the theater and claim a refund.  The plot capitalizes on the success of Psycho, among other contemporary sensations.  I guessed the twist way too early but this is so bizarre that it is truly enjoyable.

Trailer

Placido 
Directed by Luis Garcia Berlanga
Written by Rafael Azcona, Luis Garcia Berlanga, Jose Luis Colina, Jose Luis Font
1961/Spain
Jet Films
First viewing/Film Struck

[box] “God damn it, you’ve got to be kind.” ― Kurt Vonnegut, God Bless You, Mr. Rosewater[/box]

This black comedy is a savage indictment of false charity and the state of the Spanish population in the Franco era.

A cookware company is mounting a “have a poor person to dinner” campaign on Christmas Eve.  Wealthy Spaniards are, at least superficially, enthusiastically cooperating.  When they are in private it is clear the exercise is a giant pain in the neck.  The event includes a beauty queen and a raffle of gift baskets with second-rate movie stars as “prize” dinner guests.  Elderly “poor persons” are kept out in the freezing cold for hours to welcome the movie stars.

Placido’s prized possession is his truck which he uses as a taxi and delivery van.  The family is barely making ends meet – his wife works as a restroom attendant.  Placido must make payment on his truck on this particular day or he will lose it.  All his efforts to scrape together the money or go to actually make the payment are derailed by the organizer’s demands that he drive various people around.  None of the organizer’s promises to help Placido with his dilemma will be kept.

In the meantime, the campaign is a comedy of errors capped off by a poor old person’s heart attack and forced marriage to his common law wife.

I might need to see this again to fully appreciate it.  I found myself getting irritated on Placido’s behalf rather than laughing.  The comedy might not translate well.  At any rate, it is of a very black stripe.

Placido was nominated for an Academy Award for Best Foreign Language Film.

Trailer (no subtitles)