Daily Archives: March 23, 2017

Can-Can (1960)

Can-Can
Directed by Walter Lang
Written by Dorothy Kingsley and Charles Lederer from a musical comedy by Abe Burrows
1960/USA
Twentieth Century Fox Film Corporation/Suffolk-Cummings Productions
Repeat viewing/Netflix rental

[box]So goodbye, dear, and Amen/
Here’s hoping we meet now and then/
It was great fun/
But it was just one of those things – lyrics by Cole Porter[/box]

There are a lot of nice Cole Porter standards and some glorious dancing in this but the script could have been tightened considerably.

Simone Pistache (Shirley MacLaine) owns and performs at a nightclub in Montmarte which sometimes features the illegal can-can.  Her sometime boyfriend Francois Dumais (Frank Sinatra) is a lawyer who can often fix things with the police and avoid a fine and closing of the establishment.  New by-the-book judge Philipe Forrestier is determined to enforce the law and visits with the intention of conducting a raid.  His attitude changes a bit when he falls for Simone.

The two men vie for Simone’s affections.  Francois is a bit of a womanizer and has no intention of marrying.  Philipe proposes in short order.  It looks like the couple is looking at a happily ever after ending until Francois throws a spanner in the works by getting Simone drunk at a high society part intended to introduce her to Philipe’s friends.  When she sobers up, she is determined to get revenge.  With Maurice Chevalier as another judge, Juliet Prowse as a saucy dancer, and Marcel Dalio as the head waiter.

What should be a good musical is dragged out by an overlong script and by the “Adam and Eve Ballet” which brings the action to a screeching halt for several minutes.  I remember enjoying this when I was a young musical fanatic.  Not so much anymore though that final can-can almost made everything worthwhile.

Can-Can was nominated for Academy Awards in the categories of Best Costume Design, Color and Best Music, Scoring of a Musical Picture.

https://www.youtube.com/watch?v=t4k6SYRYSCg

Clip

Blood and Roses (1960)

Blood and Roses (Et mourir de plaisir)
Directed by Roger Vadim
Written by Roger Vadim and Roger Vailland; original story by Claude Brule and Claude Martin; novel by Sheridan Le Fanu
1960/France/Italy
Documento Film/Films EGE
First viewing/YouTube

[box] The strength of the vampire is that people will not believe in him. Garrett Fort [/box]

The erotic meets the supernatural in this story of a beautiful female vampire and her equally attractive female victims.

The ancestors of Carmilla De Karnstein (Annette Vadim) were reputed to be vampires in the 18th Century.  When Carmilla’s cousin Leopoldo (Mel Ferrer) gets engaged to Georgia (Elsa Martinelli), she becomes jealous and something snaps within her.  Suddenly her very presence begins to frighten the horses.  Next things we know a maid is found dead …

Vadim had found his new muse in then wife Annette Vadim, who bears a remarkable resemblance to Brigitte Bardot. The brunette Martinelli looks equally luscious.  The movie is nicely atmospheric and contains a few really striking shots in a dream sequence.  Folks looking for real scares should look elsewhere but I kind of liked it.

Trailer (the color was much more vivid in the version I watched on YouTube)