The Horse with the Flying Tail Directed by Jerry Lansburgh Written by Janet Lansburgh 1960/USA Walt Disney Pictures
First viewing/Amazon Instant
[box] “In riding a horse, we borrow freedom” ― Helen Thompson[/box]
This is an innocuous documentary tracking the career of a cow horse who rose to fame as a show jumper.
The hero is a palomino named Injun Joe. Right off the horse had no problem jumping fences. He also had a temperament that made him very hard to handle by owners who did not treat him with kindness. This meant he changed hands many times. Fortunately, he finally came to the attention of a rider who changed his named to Nautical and took him all the way to winning the King George V Cup.
I like horses and horse movies and this was a pleasant if unexciting example.
The Horse with the Flying Tail won the Academy Award for Best Documentary, Feature.
The Alamo Directed by John Wayne Written by James Edward Grant 1960/USA Batjack Productions/The Alamo Company
First viewing/Amazon Instant
[box] Jim Bowie: I’d hate to say anything good about that long-winded jackanapes, but he does know the short way to start a war.[/box]
John Wayne’s lone directorial effort is over-long but not half bad.
A vastly outnumbered group of “Texicans” create a fortress from a mission church in San Antonio and prepare to face off with Mexican dictator Santa Ana. They know victory is impossible but hope to buy time as Sam Huston (Richard Boone) works on assembling an army. The Texans are joined by some hard-drinking Tennesee revelers led by Davy Crockett (Wayne). Other key players are Jim Bowie (Richard Widmark) and the humorless and rigid commander of the forces, Col. William Travis (Lawrence Harvey).
We follow the bickering and adventures of the men as they prepare for catastrophe. The battle itself takes up perhaps the last fifteen minutes of the film.
This movie is quite OK but never really sings in any way despite the big bucks invested in it.
The Alamo won the Academy Award for Best Sound, Recording. It was nominated in the categories of Best Picture; Best Supporting Actor (Chill Wills); Best Cinematography, Color; Best Film Editing; Best Music, Original Song (“The Green Leaves of Summer”); and Best Music, Scoring of a Dramatic or Comedy Picture.
Inherit the Wind Directed by Stanley Kramer
Written by Nedrick Young and Harold Jacob Smith from a play by Jerome Lawrence and Robert E. Lee
1960/USA
Stanley Kramer Productions
Repeat viewing/Netflix rental
[box] Matthew Harrison Brady: I do not think about things I do not think about.
Henry Drummond: Do you ever think about things that you do think about?[/box]
Worth seeing just to witness Spencer Tracy go mano a mano with Fredric March.
The story is loosely based on the Scopes Monkey Trial in which a school teacher was prosecuted for teaching evolution. “Bertram T. Cates” (Dick York) stands in for Scopes, “Henry Drummond” (Tracy) stands in for celebrity defense attorney Clarence Darrow, Matthew Harrison Brady (March) stands in for celebrity prosecutor William Jennings Bryan, and E.K. Hornbeck (Gene Kelley) stands in for journalist H.L. Mencken making snarky comments from the sidelines.
The setting is a largely fundamentalist Christian small town in early Twentieth Century Tennessee. The famous trial and advocates turn the community into kind of a circus and whip the townspeople into a religious frenzy.
The conviction is a foregone conclusion. The trial is kept vastly entertaining by the speechmaking of Brady and the withering cross-examination of Brady himself as an expert on the Bible. With Florence Etheridge, March’s real life wife, as Brady’s wife.
Tracy got the Oscar nomination and he is great but I thought March was robbed. Between his makeup and his acting he absolutely becomes the consummate politician and bible thumper with a fragile ego hid where he hopes it doesn’t show. This is still tragically relevant in 2017 and definitely worth a watch.
Inherit the Wind was nominated for Academy Awards in the categories of Best Actor (Tracy); Best Writing, Screenplay Based on Material Written for Another Medium; Best Cinematography, Black-and-White; and Best Film Editing.
I’ve been a classic movie fan for many years. My original mission was to see as many movies as I could get my hands on for every year from 1929 to 1970. I have completed that mission.
I then carried on with my chronological journey and and stopped midway through 1978. You can find my reviews of 1934-1978 films and “Top 10” lists for the 1929-1936 and 1944-77 films I saw here. For the past several months I have circled back to view the pre-Code films that were never reviewed here.
I’m a retired Foreign Service Officer living in Indio, California. When I’m not watching movies, I’m probably traveling, watching birds, knitting, or reading.
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