Daily Archives: April 18, 2016

Friendly Persuasion (1956)

Friendly Persuasion
Directed by William Wyler
Written by Jessamyn West and Michael Wilson (uncredited due to blacklist)
1956/USA
Allied Artists Pictures/B-M Productions
Repeat viewing/Netflix rental

 

[box] Jess Birdwell: I’m just his father, Eliza, not his conscience. A man’s life ain’t worth a hill of beans except he lives up to his own conscience.[/box]

My husband says this film is not realistic.  He may be right but I find it very charming.

The story is set in 1862 Indiana.  The Birdwells are a farming family of Quakers.  Father Jess Birdwell (Gary Cooper) is not as strictly religious as his wife Eliza (Dorothy McGuire), a minister in the church.  They have three children, teenagers Josh (Anthony Perkins) and Mattie and youngster Little Jess.

Much of the story recounts amusing incidents from daily life.  We see Jess’s running battle to best a neighbor in a horse race while hiding the actual racing from his wife; Eliza’s reaction to Jess’s purchase of an organ; and Mattie’s courtship with a soldier.

A crisis comes as Confederate soldiers near the farm.  The Quaker belief in non-violence is tested to the limit as the family and it all it holds dear is under threat.  With Marjorie Main as a rural woman with a house full of marriageable daughters.

I generally like Gary Cooper and he is perfectly cast here, bringing uprightness and humor to his part.  The other acting is very good, with Perkins the standout as the troubled, sensitive eldest son.  He was hailed by the studio as the next James Dean but it was not to be.  There are some wonderful Wyler touches here.  I loved the family’s pet goose.

Friendly Persuasion was nominated for Academy Awards in the categories of Best Picture; Best Director; Best Supporting Actor (Perkins); Best Writing, Best Screenplay – Adapted; Best Sound, Recording; and Best Music, Original Song (“Friendly Persuasion” (Thee I Love)).

https://www.youtube.com/watch?v=9joZubh9gvo

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Slightly Scarlet (1956)

Slightly Scarlet
Directed by Allan Dwan
Written by Robert Bleese from a novel by J.M. Cain
1956/USA
Benjamin Bogeaus Production/RKO Radio Pictures
First viewing/Netflix rental

 

[box] “No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious & charitable institutions may become, the music will still be wonderful.” ― Kurt Vonnegut, A Man Without a Country[/box]

The main reason to watch this Technicolor film noir is for Arlene Dahl’s delicious performance as a nymphomaniac shoplifter.

June Lyons (Rhonda Fleming) is secretary to the reform candidate for mayor, Frank Jansen, who is in love with her and has set her up in posh digs.  She keeps dodging and weaving on his marriage proposals though.  June has been obsessed for years with caring for her nut-job sister Dorothy (Dahl).  As the movie opens, June is picking Dorothy up after her release from prison.  A man is taking photos from his car.  He turns out to be Ben Grace (John Payne).

The opportunistic Ben is staging a war of wills with gangster and kingmaker Solly Caspar. Solly will be out of business if Frank Jansen is elected and Ben starts feeding incriminating info to Jansen through June.  Then things start getting hot and heavy between Ben and June and Dorothy wants in on the action.

The story betrays its origins in a James M. Cain novel with its bleak view of human nature and its larger-than-life characters.  Dahl is a kick in the pants!  Payne is definitely the weak link here. The great John Alton did the cinematography.  I enjoyed this.

https://www.youtube.com/watch?v=L_XvPv0dNnM

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