Daily Archives: June 15, 2015

Adam’s Rib (1949)

Adam’s Rib
Directed by George Cukor
Written by Ruth Gordon and Garson Kanin
1949/USA
Metro-Goldwyn-Mayer
Repeat viewing/Amazon Instant
#228 of 1001 Movies You Must See Before You Die

 

[box] Kip Lurie: Lawyers should never marry other lawyers. This is called in-breeding; from this comes idiot children… and other lawyers.[/box]

This may be the best picture to recommend for anyone who wants to understand the magic that was Spencer Tracy and Katharine Hepburn.  I am also very fond of the supporting performances.

Adam Bonner (Tracy) and his wife Amanda (Hepburn) are criminal trial attorneys.  He works for the prosecution and she for the defense.  He is assigned to prosecute dizzy housewife Doris Attinger (Judy Holliday) who shot at her husband (Tom Ewell) and his mistress (Jean Hagen) when she caught them together.  Amanda gets a bee in her bonnet about the double standard applied to women in these situations and determines to defend Doris.  At no time does anyone in the film point out the egregious conflict of interest that this entails on the part of both attorneys. Well, it’s a comedy so OK.

The film follows the Bonners at home and in court as they spar and exchange repartee about women’s rights and the law.  A bit of conflict is thrown in due to their neighbor Kip Lurie’s (David Wayne) interest in Amanda.  With Hope Emerson as a lady wrestler.

This is a funny film and features several tour de force performances.  I especially like Tracy’s crocodile tears and, of course, the scene on the massage table.  Holliday and Hagen make a delightful pair of ditzy broads.  I have an irrational fondness for Tom Ewell and he is perfect here as always.  A classic.

This marked Hagen’s film debut.

Adam’s Rib was nominated for an Oscar for Best Writing, Story and Screenplay.

Trailer

East Side, West Side (1949)

East Side, West Side
Directed by Mervyn LeRoy
Written by Isobel Lennart from a novel by Marcia Davenport
1949/USA
Metro-Goldwyn-Mayer
First viewing/Netflix rental

 

[box] Brandon Bourne: [Desparately] Jess, can’t you understand what this is for me. I’m like a drunk who knows liquor will wreck him. He hates it. He hides from it. He… he tries!

Jessie Bourne: What are you asking for? Permission?[/box]

This “woman’s picture” has some nice performances but the story was a little too pat for my taste.

As the film opens, attorney Brandon Bourne (James Mason) and his wife Jessie (Barbara Stanwyck) are dining with her mother (Gale Sondergaard) and mom’s publisher husband, They have evidently weathered some blow to their happy marriage and appear to be very much in love.  He is called to meet with a client but they agree that she will wait for him to come home for a “bedtime snack”.

Brandon has the spine of an earthworm.  Since it is still “early” when he finishes with the client, he decides to stop by a nightclub for a drink.  There he is soon spotted by his ex-paramour Isabel Lorrison (Ava Gardner).  She is with another man but very, very interested in picking up with Brandon where they left off.  He tells her no.  He then meets sweet young Italian Rosa Senta (Cyd Charisse) and begins flirting with her.  She reveals she is waiting for her “fella” to come home from Europe.  Then Isabel approaches Brandon again and her escort slugs him in front of reporters.  Rosa takes him home to her mother’s house to save him from the press.  It is thus morning before Brandon comes home to Jesse.

Brandon’s antics and their connection to Isabel have made the morning paper.  Jesse accepts Brandon’s lame explanation of the innocence of the events and they make plans to take a romantic getaway.  But at work, Isabel shows up to reinforce her claim on Brandon.  Since Brandon is an idiot, he goes to Isabel’s apartment to tell her that all is over and she should leave him alone.  It does not take a genius to guess what happens next.

In the meantime, Jessie drives Rosa out to the airport to meet her fella.  This turns out to be Mark Dwyer (Van Heflin), whose book Jessie’s stepfather is publishing.  Mark’s interest in Rosa is brotherly and soon he is in love with Jessie.  He helps her through her marital woes.  Conveniently, he is an ex-cop who can also help in the murder investigation that concludes the film.  With William Frawley as a bartender, William Conrad as a cop, and Beverly Michaels as a shady lady.

With this cast and the MGM treatment, this film just has to be moderately entertaining.  But that’s all really.  It is full of way too many coincidences and convenient fall-backs for our heroine.

Clip