Daily Archives: May 21, 2015

On the Town (1949)

On the Town
Directed by Stanley Donen and Gene Kelly
Written by Adolph Green and Betty Comden from their Broadway musical
1949/USA
Metro-Goldwyn-Mayer
Repeat viewing/Netflix rental
#233 of 1001 Movies You Must See Before You Die

 

[box] Gabey, Chip, Ozzie: [singing] New York, New York, a wonderful town / The Bronx is up and the Battery down / The people ride in a hole in the ground / New York, New York, it’s a wonderful town![/box]

The cast is great and so are a lot of the musical numbers.  I feel like I can tolerate a lot of silliness but somehow this one manages to be a little too corny for me to love it.

Three sailors are on 24-hour leave in New York City, where none has ever been.  Gabey (Gene Kelly) and Ozzie (Jules Munchen) are looking for a little female attention but Chip (Frank Sinatra) is determined to see all the sights.  Gabey falls in love with the photo of MissTurnstiles Ivy Smith (Vera-Ellen), who he is convinced is a big celebrity.  He talks the other men into searching for her.

Early on, Chip is picked up by randy taxi cab driver Hildie (Betty Garrett) and she hauls them around town while plotting how to lure Chip to her apartment.  They look every place mentioned in Ivy’s high-toned biography.  One of the first stops is the Museum of Natural History.  There they meet up with Claire (Ann Miller) who has been advised by her psychiatrist to study prehistoric man so she can get over her boy-craziness.  She thinks Ozzie looks exactly like a cave man statue at the museum and is off to the races.  Before they leave, the boys manage to topple a dinosaur statue and are chased by the museum director and cops throughout the rest of the film.

Gabey finally catches up with Ivy at her dance class.  She pretends to be exactly as described in her bio.  In reality, she has been forced to work as a hooch dancer at Coney Island to pay for her lessons.  The romance has its ups and downs until love conquers all.

I love the opening “New York, New York” number, Ann Miller’s dancing, and of course Gene Kelly.  But the story, revolving on the adventures of sex-hungry girls and their counterparts, leaves me cold.  The dialogue strikes me as totally banal.  I may have been having a bad day.

Clip – Gene Kelly and Vera-Ellen sing and dance

Le silence de la mer (1949)

Le silence de la mer
Directed by Jean-Pierre Melville
Written by Jean-Pierre Melville from a story by Vercors
1949/France
Melville Productions
First viewing/Hulu Plus

 

[box] It is beautiful for a soldier to disobey orders which are criminal – Anatole France (from a clipping left for the officer)[/box]

After seeing many gorgeous stills from this film, I was convinced I would love it.  The visuals delivered but, unfortunately, I found the story pretty tedious.

The story takes place during the German Occupation.  An old man and his niece are ordered to share their house with a German Officer.  They decide to treat the man as if he were not there.  They neither speak to him nor respond in any way.  The officer happens to be a sensitive would-be composer and a Francophile.  He joins the two each night and tells them about his dream for a truly free France that will be restored to its former greatness when Germany wins the war.

Then one day the officer must travel to Paris.  He is excited about the possiblity of sharing his ideas with his friends.  He comes back completely disillusioned and soon volunteers to go to the front lines.  With Howard Vernon, Nicole Stephane, and Jean-Marie Robaine.

The film was  based on a novel that was clandestinely released in 1942 and which became the Bible of the French Resistance.  Melville did not have the author’s permission to film and finally agreed that he would burn the negatives if the author was unhappy with the film.  The author was satisfied so I guess we can assume that the film is faithful to the book.

The visuals are amazing – all the more so since this was made with almost no budget. The music track cost more to make than the entire film.  Otherwise, the film is almost entirely one long monologue by the officer accompanied by occasional narration from the old man.  Time passed really slowly for me.  Melville would do much better later.

Clip – Wordless views of Occupied Paris