Daily Archives: May 20, 2015

The Passionate Friends (1949)

The Passionate Friends (AKA “One Woman’s Story”)
Directed by David Lean
Written by Eric Ambler, David Lean, and Stanley Haynes from a novel by H.G. Wells
1949/UK
Cineguild
First viewing/Amazon Instant

 

[box] I think people remember pictures not dialogue. That’s why I like pictures. — David Lean[/box]

Imagine Brief Encounter if the lovers had not made a clean break of it but had tortured each other with unresolved desire for a couple of decades.  The plot did not work for me but with Claude Rains at his best and the beautiful visuals, I enjoyed this any way.

The story opens at a Swiss resort where Mary Justin (Ann Todd) and her husband Howard Justin (Claude Rains) are set to spend their first vacation together in several years.  It just so happens that, unbeknownst to her, Steven Stratton (Trevor Howard) has checked in for his own get-away in the room adjoining theirs.  From some uncertain point in time, Mary begins a narration that will take us to a series of episodic flashbacks.  I found the story rather hard to follow until I was well into it.

Evidently, Mary and Steven were in love as young people.  Mary, who wants to “belong to herself” rather than to any man, decides that the incredibly wealthy and powerful Howard is a better match and marries him despite her continuing eternal passion for Steven.

They meet by chance while Howard is away doing some big business detail in Germany in 1939 and start seeing each other.  The sparks rekindle almost immediately.  Steven persuades Mary to break with Howard and go away with him.  A dramatic confrontation with Howard (most of which we do not witness) changes Mary’s mind.  Howard convinces her that she is not looking for the type of romantic, all-consuming love Steven has to offer.

Nine years pass and we return to the post-war present and begin to follow Mary’s reunion with Steven in the Alps.  Steven is now married with children and Mary says her relationship with Howard has grown and deepened.  Nevertheless, the two clearly still care for each other.  Howard spots them returning from their picnic in the mountains and jumps to the natural conclusion.  He can take no more and sues for divorce naming Steven as the correspondent.  The ending of this film is abrupt and, I thought, unsatisfying.

The suave Rains seems to have been born to play the cuckold (Notorious, Deception).  He is superb at it here.  The hurt on his face needs no words.  Howard more or less reprises his role in Brief Encounter.  Ann Todd struck me as a bit too much of an “ingenue” type for the part.  Lean makes some beautiful, beautiful pictures once again.

I generally have a problem with stories about people who can’t make up their minds.  This was no exception to the rule.  These characters actually seem to relish tormenting each other.  I did think it was interesting that Mary was a woman who wanted to retain her independence even within a relationship.  We don’t get too many characters like that in the classic era.  Unfortunately, she is not shown to have the strength to go with her principles.

BFI Trailer

White Heat (1949)

White Heat
Directed by Raoul Walsh
Written by Ivan Goff and Bob Roberts; suggested by a story by Virginia Kellogg
1949/USA
Warner Bros.
Repeat viewing/Netflix rental
#227 of 1001 Movies You Must See Before You Die

[box] Verna Jarrett: It’s always “somebody tipped them.” Never “the cops are smart.”[/box]

I wish somebody had bottled James Cagney’s energy and stayed around to sell it to me! This is one of the all-time best gangster pictures and it’s 90% Cagney’s.

As the movie begins, Cody Jarrett (Cagney) and his gang pull off a train heist.  The leader’s psychopathic brutality is revealed by his gratuitous murders of the engineers and abandonment of one of his own men who was badly burned by steam during the robbery. Cody’s heart belongs to Ma Jarrett (Margaret Wycherly), who is the only one that can soothe the raging headaches that turn him into a wimpering baby.  She evidently had practice with Cody’s father, who died in an insane asylum.  Cody’s affection for his sexy, vulgar, lazy, two-timing wife Verna (perfectly portrayed by Virginia Mayo) is a distant second in his priorities.  He’d as soon give her a kick as a kiss.

The gang spends several weeks in hiding while Verna whines about not being able to have any fun with their money and makes eyes at second-in-command Big Ed (Steve Cochran). Finally, the cops take to trailing Ma using radio transmitters.  Cody decides to take the heat off by turning himself in for a minor robbery committed at the same time as the train job and serving a short prison sentence.

The cops are wise and assign veteran Hank Fallon (Edmond O’Brien) to masquerade as Vic Pardo, a fellow prisoner, and get close to Cody.  This works better than anyone could have imagined.  Pardo becomes a sort of substitute Ma for Cody in jail.  When the two eventually escape together Cody treats him like a brother.

After dealing with Big Ed’s treachery, Cody is up for his next job.  The boys have purchased an oil tanker they plan to use in a payroll heist at chemical plant.  Cody decides to use it as a Trojan Horse for an even bigger operation.  Fallon/Pardo tries to get the word out to the police while in constant danger of blowing his cover.  The movie has one of the most memorable endings in film history.  With Fred Clark as a money launderer.

I had seen this before and thought the movie might suffer from its fairly detailed coverage of police procedure.  Not so.  Walsh manages to keep the energy up even as we learn all about radio technology.  Cagney is simply brilliant.  He is as white hot as the title.  Mayo and Wycherly both wring every bit of juice out of their characters.  O’Brien makes a great straight man if not much more.  The many action sequences are gripping.  Highly recommended.

White Heat was nominated for an Academy Award for Best Writing, Motion Picture Story.

https://www.youtube.com/watch?v=mTNqcqBabwk

Trailer

Clip – Cody’s reaction to bad news