Daily Archives: January 15, 2015

Beauty and the Beast (1946)

Beauty and the Beast (La belle et la bête)beautyandthebeast1946
Directed by Jean Cocteau
Written by Jean Cocteau from a story by Jeanne-Marie Leprince de Beaumont
1946/France
DisCina
Repeat viewing/Criterion Collection DVD
#197 of 1001 Movies You Must See Before You Die

 

[box] The Beast:  Love can turn a man into a Beast.[/box]

This is one of the few “art” films I can really get behind.

A merchant has three daughters and a son.  Son Ludovic is a wastrel and two of the daughters are vain and arrogant.  But daughter Belle (Josette Day) adores her father and uncomplainingly acts as servant girl to him and her horrible sisters.  The household is completed by the seemingly ever-present Avenant (Jean Marais), Ludovic’s companion and suitor for Belle’s hand.  But Belle rejects all of Avenant’s proposals, preferring to care for her father.

The merchant has been waiting in vain for one of his ships to come in.  He gets the glad tidings that the last has indeed arrived and sets off to the port.  But when he gets there, his creditors have seized the contents and he is penniless once more.  He is sent off into the night to return home.  On the road, he chances upon a very strange and magical estate.  As he leaves the grounds, he plucks a rose, the only gift requested by Belle.  As soon as he does so, he is confronted by a Beast (also Jean Marais) who tells him the penalty for rose theft is death and that the merchant will die in three days unless he can convince one of his daughters to take his place.

beauty

The merchant returns home and tells his tale.  Belle secretly steals away to take her father’s place.  The Beast treats her as kindly as possible and says he will trouble her only at the dinner hour when he will continue to ask her to be his wife.  This arrangement does not last long as Belle gradually gets used to his bestial ways and begins to have pity for him.  But she continues to long for home and he finally agrees to allow her to return for one week.  He informs her that if she does not come back to him he will die of grief.  As a sign of his trust in her, he gives her the key to his treasure.

Belle is pure of heart.  The same cannot be said about her siblings or Avenant who proceed to steal the key and falsely persuade her to delay her return.  Anyone familiar with the fairy tale already knows the ending.

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Cocteau creates a complete and beautiful fantasy world without computers or much money in a France still reeling from WWII. Indeed the cinematography, art direction, and special effects are the highlight of the film.

Each time I see it, I forget how much humor there is.  I just love those rotten sisters!  I also love that there is an underlying Freudian coming of age story without any psychiatry.  I see the tale of Belle as a young girl’s eventual surrender to the Beast (sex) in men and herself. She resists Avenant and can only accept him by going through the ordeal with the Beast.  Far-fetched?  Seems more obvious to me each time I see it.  All those scenes with the out-of-control Beast in Belle’s bedroom seem to bear me out.  Absolutely a classic.

Trailer

No Regrets for Our Youth (1946)

No Regrets for Our Youth
Directed by Akira Kurosawa
Written by Eijirô Hisaita
1946/Japan
Tojo Company
First viewing/Hulu Plus

 

[box] “Anyone who fights for the future, lives in it today.” ― Ayn Rand[/box]

Kurosawa’s genius made manifest after several trial efforts. Setsuko Hara (Tokyo Story, Late Spring) is a revelation as a young woman who matures from indifference to commitment.

Yukie Yagihara (Hara) is the daughter of a liberal professor at Kyoto University who has written about the dangers of militarism at a very inopportune time in Japan.  A group of students idolizes the professor, who is under fire by the government.  Two of the students are interested in Yukie.  Noge is constantly haranging the group about academic freedom. Itokawa is quieter.  Yukie is afraid for her father and does everything possible to avoid any talk about political matters.

Finally, the professor is forced to resign and the students start to organize a protest.  Noge is the ringleader but Itokawa backs out to please his mother.  Noge is arrested and Itokawa goes on to become a public prosecutor.  After Noge has spent several years in prison, he returns to visit the professor and Yukie in the company of Itokawa, who secured his release after being convinced that Noge had changed his opinions.  Itokawa has also secured a job for Noge in China.  Yukie is so shook up by this development that she packs up that very day to move to Tokyo.  Her father tells her she must be ready to suffer for her freedom.

Yukie has a series of uninspiring jobs in Tokyo.  She then meets Itokawa on the street and finds out from him that Nobe is now working as a researcher in the city.  Longing for meaning in her life, she gradually works up the courage to see Nobe.  She quickly senses that he is still fighting for the old causes, now to keep Japan out of the war.  She has always been half in love with him and they marry.

Their happiness is marred by a sense of impending doom but their motto is “no regrets in my life.”  Nobe is again arrested and Yukie is jailed for some time for refusing to answer questions about Nobe’s activities.  Yukie is eventually released through Itokawa’s intervention but Nobe dies in jail.  Yukie sets out to visit Nobe’s estranged peasant parents and seeks redemption through hard work in the fields amid peasants who believe the entire family to be traitors and spies.

I admire Setsuko in the many Ozu films she made but this performance is really something different.  She plays a modern woman with a core of iron here and is sensational.  She is really the reason to watch this movie but the story is quite moving too.  Who said Kurosawa couldn’t create multi-dimensional women? Recommended.

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