Daily Archives: December 26, 2014

Les Dames du Bois de Boulogne (1945)

Les Dames du Bois de Boulogne
Directed by Robert Bresson
Written by Robert Bresson; additional dialogue by Jean Cocteau; story by Denis Diderot
1945/France
Les Films Raoul Ploquin
Repeat viewing/Netflix rental

 

[box] Agnès: We’re unlucky. Every time we meet alone, it’s raining.[/box]

I’ve seen this before but remembered exactly nothing about it even while I was rewatching. Not a good sign. This is beautifully shot and acted but I just could not wrap my head around some of the character motivations.

Helene (Maria Casares), a wealthy socialite, is head-over-heels for long-time lover Jean (Paul Bernard).  When a friend tells her Jean’s ardor seems to be cooling, she denies it but decides to check things out.  She makes the first move and tells him that the thrill is gone for her.  To her dismay, Paul is greatly relieved to hear this and says he feels the same. They vow to continue their friendship.  Silently, Helene plots revenge.

She begins by meeting a widowed former neighbor Mme. D, who has fallen on hard times.  Her daughter Agnes, trained as a ballet dancer, is now making ends meet by working in a cabaret.  The degradation of her low occupation has led to her notoriety as a loose woman.  Helene offers to provide Mme. D and her daughter with a home and to pay for their expenses.  Her only wish is that they keep to themselves for three years so the world can forget Agnes’s  perfidy.  For some reason, they go along.

Simultaneously, Helene arranges an “chance” meeting between Jean and Agnes.  She then puts up all kinds of barriers between the two.  She has correctly assessed that Jean likes them hard to get and her revenge plan looks like it will be a screaming success.

Casares, whom I recently enjoyed in Children of Paradise, is exceptional here.  She has to do a lot of saying one thing while feeling another and is excellent at letting the emotions play across her face in a subtle and believable way.  Everybody else is fine and Bresson obviously knows how to tell a story.  But all along, Helene’s strategy just seemed like it should be super-obvious to all concerned.  In addition, being kept essentially in jail seemed to be a high price to pay for financial support especially while Agnes could make an adequate living as a dancer.

https://www.youtube.com/watch?v=dMdkOau5Ucg

Clip – unfortunately I can’t find anything with subtitles

The Thin Man Goes Home (1945)

The Thin Man Goes Home
Directed by Richard Thorpe
Written by Robert Riskin and Dwight Taylor based on an original story by Riskin and Harry Kurnitz and characters created by Dashiell Hammett
1945/USA
Metro-Goldwyn-Mayer
First viewing/Netflix rental

[box] Brogan: Well, cut off my legs and call me Shorty.[/box]

Loy and Powell, together or apart, cannot help but be enjoyable. I thought this was one of the weaker entries in the Thin Man franchise, however. Luckily, with Thin Man movies, “weaker” sill means highly entertaining!

Nick (Powell)  and Nora (Loy) visit Nick’s family in small-town upstate New York. To prepare himself, Nick has taken to drinking cider in place of his customary martinis because his father disapproves (also there was wartime rationing at the time this was made).  Actually, Nick’s father (Harry Davenport) disapproves in general but this mostly masks his disappointment that Nick decided to pursue a career with the police rather than follow the old man’s footsteps into the medical profession.  Nora is determined to make the father give Nick a pat on the back, predicting that NIck will burst his buttons in pride when he does so.  If this means digging up a crime for Nick to solve, well Nora is always game.

At any rate, a crime drops in Nick’s lap.  A local artist is murdered on his parents’ doorstep.  Unwittingly, Nora has purchased one of his paintings for Nick’s birthday.  What is the secret hidden in the paintings and which of the many suspects did the deed and the other murders in its wake?  With Lucille Watson as Nick’s mother and Ann Revere as “Crazy Mary”.

This is solid but somehow lacks the sparkle of previous entries.  There are not so many double entendres or drinking jokes for one thing.  For another, longtime series director W.S. Van Dyke died and this was helmed by a replacement.  I enjoyed it a lot but had a hard time getting worked up about the mystery story, which I thought fairly convoluted. And unless I missed something, Nick and Nora seem to have lost son Nick, Jr. somewhere along the line.

https://www.youtube.com/watch?v=FGda_I-3CBY

Trailer