Monthly Archives: August 2014

The Talk of the Town
Directed by George Stevens
Written by Irwin Shaw and Sidney Buchman; adaptation by Dale Van Every from a story by Sidney Harmon
1942/USA
Columbia Pictures Corporation
Repeat viewing/Netflix rental

[box] Leopold Dilg: I don’t approve of, but I like people who think in terms of ideal conditions. They’re the dreamers, poets, tragic figures in this world, but interesting.[/box]

This is one of the few romantic comedies in which it is not obvious whom the leading lady will end up with.  It also contains an unusual amount of philosophy.

The New England town of Lochester is dominated by corrupt political boss Andrew Holmes.  Holmes’s decrepit factory is torched and a watchman killed in the fire.  The prime suspect becomes Leopold Dilg (Cary Grant), who is regarded as a bit of a radical due to his speech-making.

Dilg is arrested.  Seeing a guilty verdict as inevitable, he escapes from jail during the trial and goes to hide out in a house being rented by Nora Shelley (Jean Arthur), with whom he attended high school.  She is there preparing for a new tenant when he arrives.  She demands that he leave but relents when she sees he cannot walk on an injured ankle.  The tenant, esteemed law professor Michael Lightcap (Ronald Colman) arrives a day early. Much commotion ensues as Nora tries to keep Dilg hidden from the Professor.

 Nora gets hired as Lightcap’s secretary/cook.  Leopold gets introduced as Joseph the gardener.  Lightcap enjoys philosophizing about the law and life with “Joseph” and starts falling for Nora.  After he learns Joseph’s true identity, Lightcap must choose between following the letter of the law and turning him in or helping to establish his innocence.  This decision is complicated by the fact that Lightcap is about to be nominated to the U.S. Supreme Court and needs to keep his name out of the papers.  With Edgar Buchanan as Dilg’s lawyer and Glenda Farrell as the watchman’s girlfriend.

I watched this with my husband and he laughed out loud several times.  For some reason, it didn’t produce the same reaction in me.  I did enjoy it more than on my previous viewing, however.  All the acting is quite good.  I especially enjoyed Coleman.  It’s in the vein of a lot of Capra’s work with the common man against the corrupt establishment.

The Talk of the Town was nominated for seven Academy Awards: Best Picture; Best Writing, Original Story; Best Cinematography, Black-and-White (Ted Tetzlaff); Best Art Direction-Interior Decoration, Black-and-White; Best Film Editing; and Best Music, Scoring of a Dramatic or Comedy Picture.

https://www.youtube.com/watch?v=PLIvRJj_1SA

Clip – Professor Lightcap meets “Joseph the Gardener”

One of Our Aircraft Is Missing
Directed by Michael Powell and Emeric Pressburger
Written by Emeric Pressburger and Michael Powell
1942/UK
British National Films/The Archers
First viewing/Amazon Prime Instant Video

[box] Else Meertens: Do you think that we Hollanders who threw the sea out of our country will let the Germans have it? Better the sea.[/box]

This was the first film to carry the joint credit “Written, Produced and Directed by Michael Powell and Emeric Pressburger” which would be used on 14 feature films over the next 14 years.  It shows the team could tackle realistic action as well as fantasy.

An RAF crew sets off for Stuttgart on a bombing raid.  After successfully delivering their pay load, their plane is hit by anti-aircraft fire.  The crew must parachute to safety over the Nazi-occupied Netherlands.  They are helped to escape to England by brave Dutch patriots led by a couple of resourceful women.

This film was made with the cooperation of the Air Ministry, the RAF, and the Royal Netherland Government in London.  It is an extremely well-made morale-boosting propaganda piece in which the true heroes are not the British flyers but the Dutch.  There is no musical score, just the hum of the planes, the bombs exploding, and incidental music on radios, etc.  It opens with one of the more unusual credit sequences I have seen. Quality shines throughout as could be expected from the pedigree of the movie’s crew, which had David Lean in the editing room and Ronald Neame behind the camera.

The film contains Peter Ustinov’s screen debut as a Dutch priest.

One of Our Aircraft Is Missing was nominated for Academy Awards in the categories of Best Writing, Original Screenplay and Best Effects, Special Effects.

Mini-clip – We have not come to invade Holland … yet

King’s Row
Directed by Sam Wood
Written by Casey Robinson from the novel by Henry Bellamann
1942/USA
Warner Bros.
First viewing/Netflix rental

[box] Madame Marie von Eln: I only know that you have to judge people by what you find them to be and not by what other people say they are.[/box]

Ronald Reagan is the best thing about this film.  It’s another highly-rated drama that I wish I liked more that I do.

The story takes place in King’s Row, a small town, on both sides of the turn of the last century.  It begins with a lengthy sequence during the childhoods of the main characters. Parris Mitchell and Drake McHugh are fast friends although they could not be more different  Parris is a serious, polite, studious boy being raised by his immigrant grandmother. (Maria Ouspenskaya).  Drake is a popular, devil-may-care lad.  Parris’s childhood sweetheart is Cassandra Tower.  The town views her entire family with suspicion as her mother never leaves her upper-story bedroom and her father calls himself a doctor without practicing medicine.  She runs to Parris in tears when Doctor Tower (Claude Rains) takes her out of school to be taught at home.

All these people come from the right side of the tracks.  One day the boys go to goof off at the railroad yard and tomboy Randy Monaghan from the wrong side tags along.

Segue to several years later.  Parris’s (Robert Cummings) great dream is to become a doctor.  He studies for the exams to get into a Vienna medical school under the tutelage of Dr. Tower.  He begins a romance with Cassandra (Betty Field in a blonde wig), who is not allowed to leave the house, on the sly.

Drake’s (Ronald Reagan) only goal is to marry Louise Gordon, the daughter of the town’s only practicing physician.  Dr. Gordon (Charles Coburn) is adamantly opposed to the marriage.  Later Drake begins seeing Randy (Ann Sheridan).

The plot is very, very complicated.  Suffice it to say that one tragedy or another, sometimes more, befalls all of these people.  Parris eventually returns home and becomes America’s first psychiatrist, trying to straighten out the lives of these unhappy people and himself.

I think I have mentioned before that I am not a fan of Bob Cummings.  Here he seems to me to be totally miscast as a solitary, sensitive youth.  He probably would have been better in the role of Drake, though I can’t see him reacting to Drake’s tragedy with the aplomb and subtlety that Reagan displays.  Next to Reagan, Ann Sheridan gives the best performance in the film though of course Rains and Coburn are very good as well.

The production values are top-notch.  The score by Erich Wolfgang Korngold is beautiful but distracting.  I just couldn’t get into the story and I found the ending to be ludicrously abrupt and pat.  Your mileage may vary.

Kings Row was nominated for Academy Awards in the categories of Best Picture; Best Director; and Best Cinematography, Black-and-White (James Wong Howe).

clip – opening

The Pride of the Yankees
Directed by Sam Wood
Written by Jo Swerling and Herman J. Mankiewicz based on an original story by Paul Gallico
1942/USA
The Samuel Goldwyn Company
Repeat viewing/Warner Home Video DVD

[box] Hank Hanneman:  I’ll tell ya somethin’. A guy like that is a detriment to any sport. He’s a boob with a batting eye. He wakes up, brushes his teeth, hikes out to the ballpark, hits the ball, hikes back to the hotel room, reads the funny papers, gargles and goes to bed. That’s personality, hm?

Sam Blake: The best.[/box]

These old movies have been giving the tear ducts quite a workout lately.  This excellent profile in courage does it without melodrama.

The film, made with the cooperation of Lou Gherig’s widow, tells the story of the life the famed Yankee slugger.  We see Gherig (Gary Cooper) growing up in a working-class immigrant family in New York.  His mother’s great dream is for him to become an engineer like his uncle and she works as a cook at Columbia University to get him into school.  He dutifully studies engineering but his athletic prowess soon becomes evident, first as a college football hero.  Sportswriter Sam Blake (Walter Brennan) spots him at batting practice and brings him to the attention of the Yankees.

At first Gherig resists to please his mother but when she gets sick and the family needs money he agrees.  After a few games on the bench, he gets his chance.  He trips as he goes to the plate and Eleanor (Theresa Wright), the daughter of the White Sox owner, calls him “tanglefoot” giving him a permanent nickname in Chicago.  But Gherig hits a homer and from such antagonist meetings movie love is born.

Eleanor and Gherig date and then marry, enjoying a idyllic love.  The humble, low-key Gherig goes on to break many batting records.  His most lasting achievement was playing 2,130 straight games.  When tragedy breaks this record, Gherig is the epitome of grace under fire.  With Babe Ruth as himself and Dan Duryea as a Ruth-boosting sportswriter.

The story begins with a title card written by Damon Runyan comparing Gherig’s courage with that of boys on the battlefield.  I hadn’t really caught that before and it gave the film an added appeal.

I have absolutely no interest in baseball and I love this movie.  Cooper is fantastic in it.  I don’t think he gets enough credit as an actor.  His style is so subtle he almost doesn’t seem to be acting but you can see the character’s every thought in his eyes.  I defy anybody not to at least mist up in the last five minutes.  I started before that.

The supporting players are all excellent and the script, with very little flash or fanfare, keeps the viewer gripped in the story.  This practically perfect classic really should be seen before you die.

The Pride of the Yankees won the Academy Award for Best Film Editing.  It was nominated for an additional ten Oscars: Best Picture; Best Actor; Best Actress; Best Writing, Original Story; Best Writing; Screenplay; Best Cinematography, Black-and-White (Rudolph Maté); Best Art Direction-Interior Decoration, Black-and-White; Best Sound, Recording; Best Effects, Special Effects; and Best Music, Scoring of a Dramatic or Comedy Picture (Leigh Harline).

Clip – the Farewell speech – with some footage of the real Gehrig