Daily Archives: August 3, 2014

The Little Foxes (1941)

The Little Foxeslittle foxes poster
Directed by William Wyler
Written by Lillian Hellman, additional scenes and dialogue by Arthur Kober, Dorothy Parker, and Alan Campbell
1941/USA
The Samuel Goldwyn Company
Repeat viewing/Warner Home Video DVD

 

Regina Giddens: I was lonely when I was young. Not in the way people usually mean. I was lonely for all the things I wasn’t gonna get.

This is a great film that should be on everyone’s Movies I Should See Before I Die list.

The story takes place in the Deep South in the year 1900.  The Hubbards produced a litter of “little foxes”, always out for themselves.  Ben, the eldest brother, is the ring leader.  He has put together a deal with a Northern cotton mill owner to build a mill in his home town in exchange for $225,000, low wages, and abundant water provided courtesy of a bribe to the governor.  Younger brother Oscar is on board, too.  The brothers need $75,000 from their sister Regina’s husband Horace Giddens (Herbert Marshall).  Regina (Bette Davis) is perhaps the most ruthless of the bunch.  She bargains for a 40% share to be taken from Oscar’s share on the understanding that his son, the shiftless Leo (Dan Duryea), will marry their daughter Alexandra (Teresa Wright).

The catch is that Regina must convince her emotionally estranged husband to invest his money and he is in a Baltimore hospital recovering from a heart attack.  She knows his weak spot and sends Alexandra to fetch him home.

little foxes 1

Horace returns home tired and ill, unable to exert himself enough to walk.  He has no appetite whatsoever for the investment.  But the siblings all have their own wicked ways of getting what they want. With Patricia Collinge in a heartbreaking performance as Oscar’s browbeaten, gentle wife Birdie and Richard Carlson as Alexandra’s free-thinking sweetheart David.

Wyler does such a fabulous job that one would never guess the film’s stage origins.  I just love the natural but intricate way he blocks groups of people.  The film looks splendid, too, amply deserving all those Oscar nominations.  If there had been a Best Costume Design award in 1941, this film would have been a shoe-in.

But it is the acting that is the true glory of the film.  I haven’t seen all of Bette Davis’s films yet but I am confident that she was never better than in this one.  She is like a harder, older version of Jezebel who married the Henry Fonda character and set about making his life miserable.  All the other actors rise to match her fire.

The Little Foxes was nominated for nine Academy Awards: Best Picture; Best Director; Best Actress; Best Supporting Actress (Collinge); Best Supporting Actress (Wright); Best Writing, Screenplay; Best Art Direction-Interior Decoration, Black and White; Best Film Editing; and Best Music, Scoring of a Dramatic Picture (Meredith Wilson) .

Trailer – cinematography by Gregg Toland

Dr. Jekyll and Mr. Hyde (1941)

Dr. Jekyll and Mr. Hyde
Directed by Victor Fleming
Written by John Lee Mahin based on the novel by Robert Louis Stevenson
1941/USA
Metro-Goldwyn-Mayer
Repeat viewing/Amazon Instant Video

 

[box] Dr. Henry Jekyll: [as Mr. Hyde] The World is yours, my darling, but the moment is mine![/box]

The Code watered down this version of Stevenson’s story from the more powerful 1931 Mamoulian version and apparently satisfied no one.

Dr. Jekyll (Spencer Tracy) is whatever the equivalent of a psychiatrist/psychologist would be in Victorian Engand.  He wants to spend all of his time experimenting on distilling the evil in every one in order to eliminate it.  (It is as unclear as in the previous version how this was supposed to work.)   This meets the violent objections of the very proper father (Donald Crisp) of Jekyll’s fiance Beatrix (Lana Turner).  He takes Beatrix on an extended trip to the Continent and leaves Jekyll to run amok in his lab.

A friend persuades Jekyll to take an night off from his experiments and he rescues Ivy Pearson (Ingrid Bergman) from ill treatment by a man she is walking with.  He resists her efforts to seduce him.  However, when his experimental potion turns him into the bestial Hyde he seeks her out and begins to terrorize her.  With Ian Hunter, Barton MacLane, C. Aubrey Smith, and Sara Allgood in supporting roles.

This film was a notorious critical flop and Tracy’s own least favorite performance.  It takes place in one of those movie Londons where everyone speaks with a different accent. Tracy is convincing as Hyde but no one could buy him as an upper-crust Harley Street doctor.  I thought Bergman was miscast as the streetwise Ivy.  There is something so sensual about Lana Turner’s mouth that I thought that she would have made a better bar maid, if she had the acting chops.  Apparently the film makers originally thought so too as Bergman had to persuade them to switch her with Turner in the Ivy part.  All that said, it’s not a terrible film and it’s nice to see Mr. Hyde without the ape-like make-up used in the 1931 version.  The Waxman score is effective.

Dr. Jekyll and Mr. Hyde was nominated for Academy Awards in the categories of: Best Cinematography, Black and White; Best Film Editing and Best Music, Scoring of a Dramatic Picture (Franz Waxman).

Trailer – cinematography by Joseph Ruttenberg

Best Song Nominees of 1941

1941 was a fantastic year for songs.  Here are some clips.  (I’ve included different versions where possible if I already included the movie clip in my review.) You can pick your favorite!

“The Last Time I Saw Paris” by Jerome Kern and Oscar Hammerstein II from Lady Be Good – performed by Kate Smith (the Academy’s choice)

“Baby Mine” by Frank Churchill and Ned Washington from Dumbo – sung by Bette Midler and set to clips from the film

“Be Honest with Me” by Gene Autrey and Fred Rose from Ridin’ on a Rainbow

“Blues in the Night” by Harold Arlen and Johnny Mercer from Blues in the Night – sung by Dinah Washington

https://www.youtube.com/watch?v=2s8sqyiccLY

“Boogie Woogie Bugle Boy of Company B” by Hugh Prince and Don Ray from Buck Privates – as performed in the Oscar-nominated cartoon of that name

“Chatanooga Choo Choo” by Harry Warren and Mack Gordon from Sun Valley Serenade – as sung by Frances Langford in The Glen Miller Story

“Dolores” by Louis Alter and Frank Loesser from Las Vegas Nights – as performed by Frank Sinatra and the Tommy Dorsey orchestra in 1941

https://www.youtube.com/watch?v=azYpWgnt5OQ

“Out of the Silence” by Lloyd B. Norlin from All-American Co-Ed – as sung by Frances Langford in the film

“Since I Kissed My Baby Goodbye” by Cole Porter from You’ll Never Get Rich – as performed by The Four Tones in the film (with Fred Astaire tap dancing)