Daily Archives: June 27, 2014

Detour (1945)

DetourDetour poster
Directed by Edgar G. Ulmer
Written by Martin Goldsmith
1945/USA
Producers Releasing Corporation (PRC)
Repeat viewing/Amazon Prime Instant Video
#186 of 1001 Movies You Must See Before You Die

Al Roberts: Oh, sure, Phoenix. You look just like a Phoenix girl.
Vera: Are the girls in Phoenix that bad?

This classic shows what a gifted director can do with six days and a shoestring budget.

Al Roberts (Tom Neal) narrates the story of how “Fate put the finger” on him.  Al was working as a accompanist to singer Sue, his girlfriend, in a dive.  One day, she announces she is going to try to make it in Hollywood and takes off.  Later, he impulsively decides to try to hitchhike cross the country to join her with only a ten dollar tip in his pocket.

He picks up a ride with a bookie who, like him, is on his way to Los Angeles.  The man is friendly and treats Al to a good meal. When the man tires, Al takes the wheel and, out of nowhere, the man dies.  Al can’t think of anything better to do than switch identities with the fellow and hightail it with his wallet and car to LA.  Continuing with this logic, Al can’t see any problem with picking up a hitchhiker himself.  Unfortunately, this turns out to be Vera (the aptly named Ann Savage), she-devil from Hell, who sizes up the situation in seconds and decides to start a new career as a blackmailer and dominatrix.

detour 2

I’m of the camp that believes old Al is an unreliable narrator who is trying to lay the responsibility for a couple of murders on “Fate” when avarice seems to be the much more likely motive.  The story doesn’t hang together otherwise.

Ulmer, who got is start in Germany, had experience at just about every craft in movie making, including directing, and by this point had both the desire and the ability to tell a story vividly with masterful economy.  He was aided by a couple of heartfelt perfomances and a tight, colorful script.  This is roots noir with its look and feel dictated by a pulp sensibility and a small budget.

 

https://www.youtube.com/watch?v=dFXQqEoNofA

Ann Savage talks about Detour many years later

 

You’ll Never Get Rich (1941)

You’ll Never Get Rich
Directed by Sidney Lanfield
Written by Michael Fessier and Ernest Pagano
1941/USA
Columbia Pictures Corporation

First viewing/Netflix rental

 

[box] Martin Cortland: Do anything so long as you make my wife believe I was telling the truth when I was lying to her![/box]

A predictable musical gives viewers the opportunity to see Rita Hayworth dance.

This could be the plot of almost any movie starring Fred Astaire.  Robert Custis (Astaire) is the choreographer and star of a Broadway musical.  Sheila Winthrop (Hayworth) is a dancer in the chorus.  Martin Cortland (Robert Benchley), the show’s wealthy producer, is a philanderer and currently has his eye on Sheila.  He buys her an engraved diamond bracelet, which she, being a good girl, refuses.  The bracelet is discovered by his wife who threatens to divorce him so he makes Robert pretend that it was a gift from Robert to Sheila. In the course of this drama, Robert discovers he is in love with her himself.

The Peacetime Draft catches up with Robert.  Sheila shows up at base to visit her sometime boyfriend who is an Army Captain.  Robert does various things to capture Sheila’s heart, all of which lead to misunderstandings and land Robert in the guard house — that is until Cortland decides to put on a show on base.

This is OK but the script lacks the sparkle that animates Astaire’s best work.  Hayworth started out as a dancer in vaudeville and does a fair job in keeping up with Astaire in their numbers together.

Cole Porter was nominated for an Academy Award for his original song “Since I Kissed My Baby Goodbye” and Morris Stoloff was nominated for Best Music, Scoring of a Musical Picture.

The Four Tones sing “Since I Kissed My Baby Goodbye” while Astaire taps

Fred Astaire and Rita Hayworth tap dance at a rehearsal