Daily Archives: June 19, 2014

All Through the Night (1941)

All Through the Night
Directed by Vincent Sherman
Written by Leonard Spigelglass, Edwin Gilbert, and Leo Rosten
1941/USA
Warner Bros.
First viewing/Amazon Instant Video

[box] Leda Hamilton: [to reporters] Well, I also feel it’s about time someone knocked the Axis back on its heels.

Alfred “Gloves” Donahue: Excuse me, Baby. What she means it’s about time someone knocked those heels back on their axis.[/box]

This entertaining gangster/propaganda piece doesn’t quite know whether it wants to be a comedy or a drama.  But what a cast!

“Gloves” Donahue (Humphrey Bogart) is distracted from his regular gambling racket by a call from his mother (Jane Darwell) about the murder of his favorite cheesecake baker. Mysterious blonde Leda Hamilton shows up at the bakery during his investigation and he follows her to the nightclub where she works.  There he also encounters her menacing accompanist Pepi (Peter Lorre) and witnesses another murder, this time of a waiter who holds up five fingers as he is dying.

Tailing Pepi takes Gloves to a warehouse and thence to an auction house run by the even creepier Ebbing (Conrad Veidt) and assistant “Madame” (Judith Anderson).  Gradually, Gloves ferrets out a nest of Nazi fifth columnists who are preparing for their first big sabotage operation.  Plenty of fisticuffs ensue.  With William Demerest, Frank McHugh, Phil Silvers, and Jackie Gleason as members of Gloves’s gang.

 

Bogart has great comic timing and it is a pity he didn’t get to show it off more.   This is packed with more action, messages, and gags than can reasonably crammed into one movie but it’s a lot of fun.

https://www.youtube.com/watch?v=gj-fzK23H_w

Trailer

The Common Touch (1941)

The Common Touch
Directed by John Baxter
Written by Herbert Ayres, Barbara K. Emary and Geoffrey Orme
1941/UK
British National Filma

First viewing/Amazon Prime Instant Video

[box] If you can talk with crowds and keep your virtue, / Or walk with Kings—nor lose the common touch,/ If neither foes nor loving friends can hurt you, If all men count with you, but none too much;/ If you can fill the unforgiving minute With sixty seconds’ worth of distance run, / Yours is the Earth and everything that’s in it, And—which is more—you’ll be a Man, my son! — “If”, Rudyard Kipling[/box]

I imagine that this pleasant little movie about pulling together was just what the doctor ordered for the British during the Blitz.

Peter Hibbert is taken from his cricket team at an English public school to run his family’s business at age 18 following the death of his parents in an accident.  Management expects him to be a figure head but Peter insists in taking an active role in the firm.  He learns that some tenements and a place called Charlie’s is slated to be demolished by his firm to build an office building.  Peter has been unable to get straight answers as to why this is happening and decides to investigate for himself incognito.

He finds that Charlie’s is a gathering place for homeless and poor men and grows to love the establishment.  How to save it?  There are numerous musical numbers both in a night club setting starring the daughter of one of the men and by street musicians who entertain in the shelter.

The story is slightly marred by a resolution that comes out of nowhere.  The plot also contains one of my least favorite elements, the “noble” suicide.  Still, this kept my interest all the way through and has beautiful sets and some nice music, most performed in the canteen.

Clip – Street musicians practicing at Charlie’s

The Unknown (1927)

The Unknownunknown poster
Directed by Tod Browning
Written by Tod Browning, Waldemar Young, and Joseph Farnham
1927/USA
Metro-Goldwyn-Mayer
First viewing/Warner Home Video DVD
#36 of 1001 Movies You Must See Before You Die
IMDb users say 7.9/10; I say 8/10

[box] Nanon Zanzi: Hands! Men’s hands! How I hate them![/box]

Tod Browning gets in some practice for Freaks and directs another touching performance by Lon Chaney.

The story takes place in a Spanish gypsy circus.  Alonzo the Armless does an amazing knife-throwing act with comely Nanon (Joan Crawford) acting as his human target.  In their off hours, Nanon, who has a terror of men’s hands, spends a lot of time with Alonzo because he makes her feel safe   Alonzo is madly (in every sense of the word) in love with her.  She is also being courted by handsome strongman Malabar but she shrinks from his embrace.  Then Nanon spots a man with two thumbs strangling her father and Alonzo decides to take drastic action to win his prize.

unknown 1

The actors pull out all the stops as per usual in silent movies.  Still Chaney, in very little makeup, manages to make his character both sinister and sympathetic at the same time This is doubly impressive when one considers that he does this without the use of his voice or his hands.  Tod Browning gets maximum chills out of the story.

Clip – Knife throwing act