Daily Archives: April 7, 2014

They Drive by Night (1940)

They Drive by Night 
Directed by Raoul Walsh
Screenplay by Jerry Wald and Richard Macaulay from a novel by A.I. Bezzerides
1940/USA
Warner Bros.

First viewing/Netflix rental

 

[box] Joe Fabrini: Do you believe in love at first sight?

Cassie Hartley: It saves a lot of time.[/box]

I enjoyed this for its razor-sharp dialogue and outstanding cast, though I thought it fell apart a bit in the second half.

Wildcat truck-driver brothers Joe (George Raft) and Paul (Humphrey Bogart) Fabrini are struggling to make ends meet.  They spend days at a stretch on the road getting little if any sleep.  Paul also longs for his wife who would love to see him get an eight-to-five job even if it was digging ditches.  On one of their runs, Joe meets sassy waitress Cassie (and when the boys give her a lift, the two fall in love.

When it looks like the brothers have finally caught a break, tragedy strikes and their rig is totaled.  Then old friend Ed Carlsen (Alan Hale) offers Joe a job in the garage of his trucking firm.  Carlsen is a likable but garrulous drunk whose wife, Lana (Ida Lupino), clearly despises him and keeps making increasingly desperate plays for Joe.  But Joe is having none of it, citing his loyalty to Ed, and Lana begins to think that the only way to get “her” man is to get Ed out of the way.  With Roscoe Karns as a fellow truck driver.

The repartee between Ann Sheridan and the guys at the truck stop is just super and the first half or two-thirds of this film is a wonderful slice of working-class life in Depression-era America. The tone changes in the Third Act as the story becomes a love-triangle melodrama.  Ida Lupino is good as always but the plot just about forces her to go completely over the top and she starts chewing the scenery with a vengeance.  On balance, though, this is a solid film and well worth seeing.

Trailer

My Favorite Wife (1940)

My Favorite Wife
Directed by Garson Kanin
Written by Bella Spewak, Sam Spewak, and Leo McCarey
1940/USA
RKO Radio Pictures

First viewing/Netflix rental

 

[box] Nick Arden: Something’s come up. My wife.[/box]

If William Powell and Myrna Loy had the best chemistry in classic Hollywood, Cary Grant and Irene Dunne were not far behind.  This screwball comedy produced by Leo McCarey who directed 1937’s sublime The Awful Truth delivers the laughs beautifully.

As the story begins lawyer Nick (Grant) seeks to have a judge (Granville Bates) declare his wife – who has been missing, presumed drowned for seven years – declared legally dead so that he can marry Bianca (Gail Patrick).  Naturally, immediately after the wedding long-lost Ellen (Dunne) shows up at home to introduce herself to the children.  When her mother-in-law tells her about the wedding, Ellen rushes to the honeymoon hotel.  Nick is thrilled to see her but afraid to tell his new wife the news.  Misunderstandings and hilarity abound.  With Randolph Scott as the Adonis who was stranded on the desert island with Ellen.

This is a ton of fun and not to be missed by anyone who loved this couple in The Awful Truth.  The scenes with the judge are genius.

Trailer

Gaslight (1940)

Gaslightgaslight poster
Directed by Thorold Dickinson
Written by A.R. Rawlinson and Bridget Boland from the play by Patrick Hamilton
1940/UK
British National Films

First viewing/Streaming on Amazon Instant Video

[box] Song at Cadbury Music Hall: It’s very aggravating when your love isn’t true…[/box]

I’m very glad I finally caught up with the original version of 1944’s Gaslight.  I loved it.

Paul Mallen (Anton Walbrook) and his wife Bella (Diana Wynyard) move into a long-disused mansion where a woman was brutally murdered 20 years before.  They also buy the empty house next door but Paul has refused all offers to lease it.  It soon becomes clear that the marriage is not a happy one.  Paul constantly berates his wife for forgetting things, losing things, and making things up and threatens her with commitment to an asylum.  He generally makes her life completely miserable.  In the meantime, retired detective Rough is sure he has seen Paul before as Harry Bauer. the chief suspect in the murder of his aunt for her rubies, which were never found.  He spends the rest of the story attempting to find evidence to support his suspicion before Bella slips into insanity for real. With Robert Newton as Bella’s cousin.

gaslight 1

I generally love Anton Walbrook and he is great here.  In stark contrast to the suave, oily Charles Boyer, he portrays Paul from the start as the dispenser of the most vile emotional and verbal abuse.  I rapidly grew to hate this man but could not deny his fascinating but demented charm.  This version is also blessedly free of the romantic sub-plot but compensates by having a delightful turn by the cagey old Rough as Bella’s guardian angel. Diana Wynyard is suitably fragile and Cathleen Cordell as the flirtatious parlor maid Nancy is quite effective.  The film is taut and suspenseful right through.  I wouldn’t want to have to choose between this one and the Bergman version.  Very highly recommended.

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