Daily Archives: January 20, 2014

Only Angels Have Wings (1939)

Only Angels Have Wings
Directed by Howard Hawks
Written by Jules Furthman
1939/USA
Columbia Pictures Corporation
Repeat viewing/Netflix rental
#131 of 1001 Movies You Must See Before You Die

 

[box] Bonnie Lee: I’m hard to get, Geoff. All you have to do is ask me.[/box]

This is another 1939 example of the Hollywood studio system at its height.

Piano player Bonnie Lee (Jean Arthur) gets off the ship during a port call in a South American town.  There she becomes fascinated by the pilots who make dangerous mail runs over the Andes.  She rapidly falls for no-nonsense Geoff Carter (Cary Grant) who manages the fledging airline.  He has been wounded in love and now “wouldn’t ask any woman” for anything.  For her part, Bonnie has problems coping with Geoff’s ultra-dangerous test flights.

Into this mileu comes pilot Bat MacPherson (Richard Barthelmess) and his wife Judy (Rita Hayworth).  It turns out that Bat bailed out of a plane and left his co-pilot to die.  This co-pilot was the brother of Geoff’s loyal sidekick Kid (Thomas Mitchell) and the other pilots want nothing to do with Bat.  Judy is the woman who broke Geoff’s heart.  The rest of the story is taken up with some dynamite flying sequences, Bat’s attempted redemption, Kid’s problems, and the central love story.    With Sig Ruman as a bar owner and Noah Beery, Jr. as a doomed pilot.

I love this film though on this repeat viewing the plot seemed to be all over the place.  Not so the crackling dialogue by To Have and Have Not co-writer Furthman.  The cinematography is just luscious.

I never thought I would say this but I kept envisioning Clark Gable in the lead and how he would have been better suited to the role than Grant (whom I generally adore).  Thomas Mitchell is so outstanding in this movie it is difficult to believe that he didn’t win his Oscar for this part.  Richard Barthelmess gives an excellent understated performance as the disgraced pilot.

Only Angels Have Wings was nominated for Academy Awards in the categories of Best Black and White Cinematography and Best Special Effects.

Clip – Cary Grant and Jean Arthur at the piano

Midnight (1939)

Midnight
Directed by Mitchell Leisen
Written by Billy Wilder and Charles Brackett based on a story by Edwin Justis Mayer and Franz Schulz
1939/USA
Paramount Pictures

Repeat viewing/Netflix rental

 

[box] Eve Peabody: Listen. Back in New York, whenever I managed to crash a party full of luscious big-hearted millionaires, there was always sure to be some snub-faced kid in the orchestra playing traps. And so at four in the morning, when the wise girls were skipping off to Connecticut to marry those millionaires, I’d be with him in some nightspot learning tricks on the kettledrum. And he always had a nose like yours.[/box]

A sterling cast and the Wilder-Brackett script makes this light-hearted romp a treat.

Eve Peabody (Claudette Colbert) arrives in Paris having lost her last sou in Monte Carlo. She bargains with taxi driver Tibor Czerny (Don Ameche) to take her around to look for jobs.  They quickly fall in love and Eve, who is scouting for a rich husband, flees.  She ends up crashing a society soiree posing as the “Baroness Czerny”.  She is spotted by Georges Flammarion (John Barrymore) whose wife Helene (Mary Astor) is having an affair with a young man. Flammarion pays Eve to lure the wealthy man away from Helene. The scheme is furthered during a weekend in the country.

In the meantime, Tibor has hired his cab driver cronies to scour Paris for Eve.  Just as Eve is about to be found out, Tibor shows up at the country house as the Baron Czerny and saves the day.  Or does he?   With Hedda Hopper as a society lady and Monte Wooley as a judge.

This may be Don Ameche’s best performance as a young man.  The witty dialogue suits him much better than his good guy roles in the Power-Faye films.  Everyone else is clicking on all cylinders – even poor John Barrymore who was actually on his last legs. According to the trivia, he was assisted by his wife and reading from cue cards by this time.  You wouldn’t have known.  The film makers also managed to expertly disguise Astor’s pregnancy.

According to IMDb, Leisen’s constant requests for re-writes on this picture sparked Wilder to campaign to direct his own scripts in self-defense.

http://www.youtube.com/watch?v=vXvfPzBfoDM

Clip – at the hat shop – Colbert and Astor