Daily Archives: November 19, 2013

Child Bride (1938)

Child Bride Child Bride Poster
Directed by Harry Revier
Written by Harry Revier
1938/USA
Produced by Lloyd and Ralph Friedgen

First viewing

[box] Tagline: A THROBBING DRAMA OF SHACKLED YOUTH![/box]

This exploitation film is not a barrel of laughs.  In fact, it’s sort of icky.

Billed as an anti-child marriage message film, this is the sad story of little Jennie, played by 12-year-old Shirley Mills.  She loves to go to school where her teacher crusades against the underage marriages so prevalent in her backwoods community.  Jennie has an innocent friendship with young Freddie but has been cautioned by teacher that she should no longer skinny-dip with him.  (So Freddie turns his head during the creepy skinny dipping scene.)

Jennie’s father is a drunk and her mother had been having an affair with her father’s partner Jake.  While Ira is beating his wife for her infidelity, Jake seizes the opportunity to murder Ira and threaten the mother with pinning the blame on her.  Jake uses this leverage to force mom to consent to his marriage to poor Jennie.  Will teacher’s DA boyfriend persuade the government to change the marriage age laws before Jennie is deflowered? With little person Angelo Rositto (Freaks, Mad Max Beyond Thunderdome) as the instrument of vegence.

Child-Bride-Still

 

The trailer for this movie, which I will not embed here, makes it pretty clear that the main draw was the skinny dipping and a few topless scenes with Shirley Mills.  The trailer has a couple of clips of women being whipped which do not appear in the film as well, just to make it abundantly clear what kind of audience it was trying to attract.  While the content is pretty tame by today’s standards, that doesn’t make the movie any less vile.

 

You Can’t Take It with You (1938)

You Can’t Take It with You
Directed by Frank Capra
Written by Robert Riskin based on the play by George S. Kaufman and Moss Hart
1938/USA
Columbia Pictures Corporation
First viewing

[box] Tony Kirby: …It takes courage. You know everybody’s afraid to live.

Alice Sycamore: You ought to hear Grandpa on that subject. You know he says most people nowadays are run by fear. Fear of what they eat, fear of what they drink, fear of their jobs, their future, fear of their health. They’re scared to save money, and they’re scared to spend it. You know what his pet aversion is? The people who commercialize on fear, you know they scare you to death so they can sell you something you don’t need.[/box]

My usual technique of Capra watching – pretending the whole thing is a fairy tale – didn’t really work with this one.

A.P. Kirby (Edward Albert) is a munitions dealer who has grand plans to buy up all his rivals (with a little assistance from the U.S. Congress).  His plan depends on his ability to buy up all the property surrounding his chief rival’s factory for some reason.  Martin Vanderhof (Lionel Barrymore) stands in Kirby’s way since he cannot be persuaded to sell his house for any amount of money.  Vanderhof is a free spirit and prefers to live as a “lily of the field”.  He and his household are devoted to doing solely what they love to do, from ballet dancing to painting to illegal fireworks manufacture.

Vanderhof’s granddaughter Alice (Jean Arthur) is secretary to Kirby’s son Tony (James Stewart).  The two are madly in love and want to marry.  However, Tony’s parents look down on Alice and she won’t marry without their approval.  She invites the parents over for dinner to meet her family.  Every possible aspect of the event goes wrong.  With Spring Byington as Alice’s mother, Ann Miller as her sister and Mischa Auer as a Russian dancing instructor.

My high school’s theater arts class put on the Kauffman and Hart play and I am quite sure it was not so preachy as this movie is.  There is a strong anti-big business message and quite a bit of folksy home-spun philosophy coming out of the lips of Grandpa Vanderhof. It’s not that I disagree with any of it but it sure does weigh the comedy down.  The acting cannot be faulted, however.  I thought Edward Arnold was particularly good.

You Can’t Take It with You won Academy Awards for Best Picture and Best Director. It was Oscar-nominated in the categories of Best Supporting Actress (Spring Byington); Best Writing, Screenplay; Best Cinematography; Best Sound, Recording; and Best Film Editing.

http://www.youtube.com/watch?v=0WY9RAroTS0