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Daily Archives: June 19, 2013

Criss Cross (1949)

Posted on June 19, 2013 | 2 comments

Criss Cross
Directed by Robert Siodmak
1949/US
Universal International Pictures
First viewing

[box] Steve Thompson: She’s all right, she’s just young.

Mrs. Thompson: Huh! Some ways, she knows more than Einstein.[/box]

This goes back to the roots of the classic film noir story line with its tortured leading man and femme fatale. With Burt Lancaster and Dan Duryea in the cast I had high hopes going in and got the added benefit of an excellent performance by a young and lovely Yvonne DeCarlo.

Lancaster plays Steve Thompson, a young man who has travelled the country seeking to get over his divorce from wife Anna (De Carlo). The fickle finger of fate has no mercy, however, and when Steve returns to town Anna makes a point of looking him up. Steve is rehired for his old job at an armored car company and they see each other for a while. Suddenly, Anna tires of being warned off Steve by all his friends (who think she is bad, bad news) and decides to marry gangster Slim Dundee (Duryea), again breaking Steve’s heart.

But some people can’t learn and when Anna tires of the abusive Slim, Steve is ready to take her in his arms. When the two are caught together, Steve concocts a story that he actually was trying to get in touch with Slim about an armored car hold up. This being noir things do not end well. The interest is in seeing how events unfold.

I enjoyed this very much although it didn’t meet the expectations I had for more of a heist movie based on the trailer. Most of the film is occupied with the on again, off again romance. Lancaster is always good and De Carlo was a revelation. I don’t know if I’ve seen her before except as Lily Munster.

There is also the thrill of recognizing an uncredited Tony Curtis as De Carlo’s dance partner in an early scene!

Trailer

2 Comments

Posted in Movie Reviews, Noir Month

Tagged 1949, film noir, Hollywood, Siodmak

Throne of Blood (1957)

Posted on June 19, 2013 | 4 comments

Throne of Blood (“Kumonosu-jô”)
Directed by Akira Kurosawa
1957/Japan
Toho Studios/Kurosawa Production Company
Repeat viewing
#320 of 1001 Movies You Must See Before You Die
IMDb users say 8.1/10; I say 9/10

[box] And oftentimes, to win us to our harm,/ The instruments of darkness tell us truths,/ Win us with honest trifles, to betray ’s/ In deepest consequence. (Macbeth, 1.3.132) [/box]

Kurasawa’s stylized Noh-inspired adaptation of Shakespeare’s Macbeth has always seemed to me somehow the most “foreign” of his films. The images are so beautiful that I can come back again and again despite the somewhat distancing acting and pacing.

The story takes place in 14th Century Japan. The great Toshiro Mifune plays Washizu, the Macbeth counterpart, with full-throttle bravado, exaggerating each emotion in what I assume is the best Noh style. Washizu and Miki, the Banquo counterpart, are returning to Spider’s Web Castle after victory in battle when they encounter an evil spirit in the forest. The spirit predicts that Washizu will be named master of the North Garrison that day and later will become Lord of the Castle. She predicts that Miki will now be named commander of the First Fortress and that his son will later be Lord of the Castle. The scene with the spirit is particularly creepy and effective.

Washizu and Miki are astonished when the Lord of the Castle appoints them to the positions predicted by the spirit. Not content to let fate take its course, Washizu’s cold and cruel wife Asaji, brilliantly played by Isuzu Yamamoto, spurs her husband on to murder the current Lord. The couple plots to frame a courtier named Noriyasu (Takashi Shimura) but fool almost no one. The childless Washizu has a final opportunity to claim the Lordship and salvage the situation by naming Miki’s son as his heir but this too is foiled by Asaji’s announcement that she is pregnant.

Wasaji’s doom is sealed when he is convinced to murder his former friend Miki and his son. Mifune’s horrified reaction to the vision of Miki’s ghost is unforgettable. Wasaji’s hired man lets Miki’s son escape and the son and Noriyasu join forces with the castle’s enemies against Wasaji. In the meantime, Asaji’s baby is stillborn and she goes mad from guilt over the murders.

By this time, Wasaji’s own men are losing faith in their commander. Wasaji goes back to the forest to consult the evil spirit. The spirit advises that he cannot be defeated until the trees of the forest advance on Spider Web Castle. Various warrior spirits appear to admonish Wasaji about the toll in blood his rise has cost. Wasaji rallies his worried men by telling them about this latest prediction. But when they see Noriyasu’s troops advancing on the castle under a protective cover of trees, Wasaji’s troops turn on him, killing him in a hail of arrows.

The end of Throne of Blood is one of the most spectacular in film history. The images of the huge trees moving through the fog and Mifune staggering, terrified, as one arrow after another pierces his body are mind-blowing.

The commentary on the Criterion DVD says that this is a film about fate. I see it more as a film about human nature. Nothing about the prediction said that Wasaji had to use bloodshed to ascend to the throne. It was his own ambition and hubris that spelled his doom. Perhaps that is the way evil spirits get the better of us all.